Upcoming Shows

The Cold Stares, Candy Cigarette

Friday July 24, 20268:00pm $20.00

For almost ten years, The Cold Stares had toured the world relentlessly as a duo, blowing away audiences across the US and Europe with a fierce, blistering live show that belied their bare bones, guitar-and-drums setup. In 2023 the band began embracing a whole new kind of chemistry and launched into their next chapter, adding a third member and channeling the classic power trio sound they grew up on with their explosive acclaimed album, Voices.

Working off the international success of Voices, which was voted one of the best albums of 2023 by Classic Rock Magazine, The Cold Stares went into Memphis Magnetic Studio in Memphis Tennessee and recorded the band's next chapter and progression, the sprawling album The Southern, which is set for release spring of 2024.

The Cold Stares have created a buzz in the music world that has landed them on the road with the likes of Joe Bonamassa, Larkin Poe, Rival Sons, Reignwolf, Spoon, Grand Funk Railroad, and Thievery Corp, among many others. American Songwriter praised the group's "hard-won commitment, honesty, and intensity," while No Depression hailed their sound as a "roots rocking firestorm," and tunes from their albums turned up everywhere from ESPN, Dodge, Chevy and TNT to the hit video game Cyberpunk 2077.

Sleep Token Night

Saturday July 25, 20268:00pm

This is not a phase. It's a ritual. We don't mosh, we beg.

Dob in someone who Sleep Token has in a Chokehold for your chance to win a $100 bar tab!

Spinning non-stop Sleep Token tracks for you to worship for 3 hours.

BEST SLEEP TOKEN 'FIT WINS A VOUCHER!

Caroline Rose

Sunday July 26, 20268:00pm $35.00

Effortlessly shapeshifting across all of their releases, Caroline Rose's albums blend psychobilly, pop, shoegaze, alt-country, folk, electronic, and experimental music. They infuse satire, perspective-shifting, film-inspired narratives, and an array of storytelling devices that transport listeners straight into Rose's self-described "weird buffet" of a mind. With each album--from the alt-country folk of I Will Not Be Afraid, to the psychobilly of LONER, and 2020's brilliant self-produced synthpop album Superstar--Rose crafts a unique, irresistible, and multifaceted character that draws the listener into their world.

2023's moody and exploratory release, The Art of Forgetting, was nominated for a Grammy (Best Recording Package, art directed by Caroline Rose). Rose continues to bring their live show across North America, Europe, and the UK through a mix of solo performances in exclusively independent venues, raucous full-band productions, and even orchestral shows with the likes of the London Contemporary Orchestra and Metropolis Ensemble.

On year of the slug, released exclusively on Bandcamp on February 7, 2025, there is no pretense--no bells, whistles, or heavy production. "Sometimes it's nice to have a pearl before it's polished," Rose says. Recorded in GarageBand from a phone, slug offers quality songs in their rawest form--delivered straight to the listener with no middleman. It will not be available on streaming platforms.

Recently Added Shows

Ellis Bullard

Saturday August 29, 20268:00pm $20.00

In the wake of 2024's Honky Tonk Ain't Noise Pollution, Ellis Bullard has left no doubt that country music is still yearning for the true-blue honky-tonk experience he brings to the stage and studio. Listen to Bullard, and you're listening to a life of barnstorming, hard living, and layers of musical influences.

"I'm just a person, just a guy out there having a good time and trying to make sure other people are too," Bullard says. "I give my time to people, and I think that means a lot to them. I'm genuinely trying to forge relationships and have meaningful interactions with all the fans I meet on the road."

After sharing the stage with Texas mainstays like Shinyribs, Reckless Kelly, Randy Rogers and Cody Jinks, Bullard has come into his own, and these days finds himself headlining clubs and dance halls from coast to coast. For his part, Bullard knows he's on to something, and he's enjoying the ride.

Franklin Jonas & The Byzantines

Saturday September 26, 20268:00pm $25.00

Franklin Jonas is an artist and songwriter from New Jersey, carving his own path with a sound rooted in storytelling, reflection, and renewal. After releasing his debut EP Sewer Rat in his early twenties, Franklin took a step back from releasing music to discover his voice, his influences, and his sense of self.

That exploration gave rise to his new project, Franklin Jonas & The Byzantines -- inspired by the idea that life can be rebuilt after collapse, just as the Roman Empire lived on in Byzantium for a thousand years after its supposed fall. For Franklin, the project represents survival, reinvention, and belief in what comes next.

His new singles Village Liquors, Road Soda and Break The Levee are the first glimpses into this new chapter. Village Liquors, written with Chris Gelbuda, balances nostalgia and introspection. It's a genuine reflection on the trials of growing up, the memories that haunt and heal, and the hope that always returns at the start of something new.

Road Soda, written with Tim Bruns and Aidan Harbeson, is about the struggle of trying to understand your feelings of wanting to self-destruct in the face of all of your dreams coming true.

Break the Levee, written with Chord Overstreet and Zeph Park, is a song about communication. It's about welcoming the flood of emotions pent up inside, knowing that the foundations of love are strong enough to withstand the storm. The joyous, contemporary bluegrass composition manages to encapsulate the peace found in trust. The Franklin Jonas & the Byzantines' style of blending traditional instrumentation with modern synthesizer twists makes for a lively sound unique to itself.

With influences spanning Gillian Welch, Dave Rawlings, Dan Reeder, and Ruston Kelly, Franklin's music blends intimate lyricism with timeless Americana storytelling. His songs capture the grit of what's been lived and the glow of what's still to come.

Deraps

Tuesday October 13, 20268:00pm $15.00

Deraps is a Classic Rock-inspired band featuring Jacob Deraps on lead vocals and guitars, and Josh Gallagher on drums and co-lead vocals. Jacob hails from St-Georges de Beauce, Québec, Canada (born March 15, 1997), while Josh comes from Perth, Australia (born October 28, 1995). The two connected online through their Van Halen covers on YouTube, which sparked collaboration and eventually led to touring together in Québec.

After years of working together, Deraps released their self-titled debut album on June 22, 2022. In 2023, they embarked on their first major tour, playing some of Canada's biggest venues and festivals and opening for iconic acts like Foreigner, Loverboy, Ann Wilson, Tom Cochrane, and Lee Aaron. The band also completed their first UK and Europe mini-tour that year.

On May 23, 2025, Deraps dropped their follow-up album, which debuted at #1 in the Hard Rock & Metal category on Amazon Japan during its first week. The album garnered strong global reviews, including a 7/10 rating from Classic Rock Magazine, one of the world's leading rock publications.

Deraps is currently signed to Metalville Records and has a publishing deal with Anthem Entertainment, further cementing their place in the modern rock scene.

Deraps will kick off their Canadian tour in January, followed by their first-ever US tour -- continuing their rapid rise on the international rock scene.

Nosferatu Undead

Tuesday October 27, 20268:00pm $25.00

This unique show features a live band performing an original immersive prog rock soundtrack for the 1922 classic silent horror Nosferatu, played in sync with the movie. Two additional screens provide onstage guest performances from some of the biggest names in classic and progressive rock.

The live band is joined by special video guests including Jordan Rudess (Dream Theater), Bumblefoot (Guns n' Roses) and Arthur Brown (Crazy World of Arthur Brown) throughout the show.

Miles Nielsen & The Rusted Hearts

Friday October 30, 20268:00pm $20.00

Led by free-wheeling front man Miles Nielsen, The Rusted Hearts have been wowing audiences for years with the diversity of their sound, the tightness of their four-part harmonies, and the quality of their songcraft. Equally comfortable in a compact three-minute pop song and an epic ten-minute jam, the band has toured incessantly since their inception in 2011, amassing an army of hardcore followers that have dubbed themselves the Rusted Herd.

Their album OHBAHOY finds the band venturing into a sphere of Americana that feels both familiar and excitingly new. Tight drums, rich guitar tones, gorgeous woodwinds, and sweeping harmonies provide the perfect complements to Nielsen's immense storytelling gifts and impeccable vocals. The album's name comes from an imaginary friend Nielsen had growing up, a fitting reminder as we get older to hold tightly to the noble ideals of freedom and creativity that seem so natural to us as children.

Screamoween

Saturday October 31, 20268:00pm

Whether you're possessed, heartbroken, or just here to go feral, this is where you need to be. Bring your friends, bring your demons, and prepare to leave with no voice and zero regrets.

Costumes aren't optional, they're part of the ritual. Our judges are done with basic. We want DISTURBING, UNHINGED and straight-up nightmare fuel.

Enter if you dare.

DJs PLAYING THE BEST OF EMO / POP PUNK / METALCORE / NU METAL + MORE!

BEST 'FIT WINS VENUE VOUCHERS & PLUSHIES

Alison Brown

Wednesday November 11, 20268:00pm $35.00

On Oct 17th, GRAMMY Award-winning banjoists Steve Martin and Alison Brown announced their debut collaborative album, Safe, Sensible and Sane, via Compass Records. Featuring guest appearances from luminaries like Jackson Browne, Vince Gill, the Indigo Girls, Tim O'Brien, Jason Mraz, Della Mae, and more, Safe, Sensible and Sane emerges as a captivating new turn in the evolution of banjo music.

Following their chart-topping collaborations "Foggy Morning Breaking," "Bluegrass Radio," and "Wall Guitar (Since You Said Goodbye)," the longtime friends and banjo aficionados have crafted a collection of banjo-inspired songs built on Brown's daringly inventive melodies and Martin's idiosyncratic yet ineffably tender lyrics.

Recent appearances and press include The Tonight Show Starring Jimmy Fallon (Oct 29 ), Jimmy Kimmel Live (June 25), The View (Oct 30), The Bluegrass Situation interview with Ed Helms, Billboard

One of the most multi-faceted minds in roots music, Alison Brown is a GRAMMY-winning musician, GRAMMY-nominated producer, former investment banker (with an AB from Harvard and an MBA from UCLA), and co-founder of The Compass Records Group which is celebrating its 30th anniversary in 2023.

Although Alison began her musical career as a teenager in the Southern California bluegrass scene, she has built a reputation as one of today's most forward thinking and innovative banjo players. She is known for taking the instrument far beyond its Appalachian roots by blending bluegrass and jazz influences into a sonic tapestry that has earned praise and recognition from a variety of national tastemakers including The Wall Street Journal, CBS Sunday Morning, NPR, and USA Today.

Check out Alison's Weekly Radio Show "Pick Like A Girl" on SiriusXM's Bluegrass Junction airing weekly on Tuesdays at 11 CST.

Lil’ Ed & The Blues Imperials

Friday November 13, 20268:00pm $20.00

For nearly 40 years together, Blues Hall Of Famers Lil' Ed Williams and The Blues Imperials--bassist (and Ed's half brother) James "Pookie" Young, guitarist Mike Garrett and drummer Kelly Littleton--have been delivering gloriously riotous, intensely emotional, wickedly playful Chicago blues to audiences around the world. Lil' Ed--like his musical forebearers, slide guitar masters J.B. Hutto (Ed's uncle), Elmore James and Hound Dog Taylor--is among the giants of the genre. His celebratory slide work, deep blues string bending, fervent vocals and riveting original songs, all powered by The Blues Imperials' rock-solid, road-tested, telepathic musicianship, are as real and hard-hitting as Chicago blues gets. According to Guitar World, "The band is a snarling boogie-blues machine."

Born on April 8, 1955, on Chicago's tough West Side, Ed Williams, along with his half brother James "Pookie" Young, eagerly learned to play the blues from their legendary uncle, iconic bluesman J.B. Hutto. Hutto taught the youngsters how to feel the music and how to play from the heart. Ed was fascinated with J.B.'s slide, how it looked and the sounds it made. Ed and Pookie spent their teen years making music together, and in 1975 formed the first incarnation of The Blues Imperials. They soon played their first gig at Big Duke's Blue Flame club on the city's West Side, splitting the $6 take four ways. Over the next few years Ed and the band performed at every club in the neighborhood while still holding down day jobs. Ed worked ten hours a day as a buffer at the Red Carpet Car Wash. Pookie drove a school bus. Undaunted, the band played night after night, and eventually the word reached Alligator president Bruce Iglauer.

At the time, Iglauer was looking for local talent for The New Bluebloods, an anthology of some of Chicago's younger blues musicians. The band--never having seen a recording studio before--treated the studio like a club, playing live to all the people on the other side of the control room glass. After Ed quickly recorded his two rehearsed songs, there was still plenty of studio time left, so they just kept playing. After 10 songs were recorded, Iglauer offered the band a full album contract. The end result of the session was 30 songs cut in three hours with no overdubs and only one second take. Ten of those songs became the band's debut album, Roughhousin', released in September 1986.

The national press reacted with amazement to the blues world's new discovery. Feature stories ran in Spin, Musician, The New York Times, The Los Angeles Times, The Washington Post, The Boston Globe, The Chicago Tribune and dozens of other publications. The New York Times raved, "Raw-boned, old-fashioned Chicago blues has a new young master--Lil' Ed Williams."

But it wasn't until 1987, when guitarist Mike Garrett joined the band, and a year later, when Garrett recruited his Detroit hometown friend Kelly Littleton to play drums, that things really began to take off. Garrett's risk-taking rhythm guitar work and Littleton's unpredictable, old-school drumming were the perfect complement to Lil' Ed's and Pookie's rambunctious playing. With their 1989 album Chicken, Gravy & Biscuits, doors opened and audiences poured in. Through relentless touring, the group crystallized, becoming tighter with each performance, more adept in their abilities to read each other's musical moves. Their spontaneous and unpredictable live show became legendary among blues fans worldwide.

With each new release, the band's national and international stature continued to grow as their fan base continued to expand. Die-hard "Ed Head" Conan O'Brien brought the Lil' Ed before millions of television viewers on three separate occasions. In 2025, Ed appeared on PBS Television's Austin City Limits, bringing his natural Chicago blues to another enormous audience. The Washington Post called him, "a houserockin' Chicago slide guitar master."

Lil' Ed & The Blues Imperials have performed live all over the world, their show as visually captivating as their music is irresistible. They have played the Chicago Blues Festival multiple times, and have appeared at The New Orleans Jazz & Heritage Festival, Portland's Waterfront Blues Festival, The Tampa Bay Blues Festival, The San Diego Blues Festival and dozens of other festivals around the country. Satisfying worldwide demand, they have performed in Canada, Great Britain, France, Spain, Sweden, Denmark, Poland, Japan, Australia, India, Turkey and Panama.

The group has won just about every award the blues world has to offer. They took home the Living Blues Award for Best Live Performer in 2011, 2012 and 2013. They won the prestigious Blues Music Award for Band Of The Year in both 2007 and 2009. In 2024, Lil' Ed & The Blues Imperials were inducted into the Blues Hall Of Fame.

According to Iglauer (not just label owner and producer, but also among the band's biggest fans), "If you want to hear--and feel--raw, rough, red hot Chicago blues, full of true emotion, you need to experience Lil' Ed & The Blues Imperials. With 38 years together, they deliver slide guitar-driven, hard-rocking, real deal blues like no other band on earth."

The R&B Cadets

Friday November 27, 20268:00pm $25.00

The R&B Cadets played their first gig shortly after New Year's in 1980 and their last in the summer of 1986. In that time they got a lot of folks out on the dance floor, playing a distinctive mix of of deep soul cuts from Paul Cebar's massive record collection and some sparkling originals, written by John Sieger, often in tandem with Michael Feldman, a friend and now longtime host of Public Radio's Whad'ya Know?

Splitting lead duties with Sieger and Cebar was the lovely chanteuse, Robin Pluer. Owner of one the lovelier voice heard in the midwest, Ms. Pluer was a dollop of sweetness at the top of the band's deep range. Rounding out the lineup was Mike Sieger, John's brother and vocal doppelganger, who played bass. Original drummer Cy Costabile, was later replaced by Bobby Schneider and the saxophonist Juli Wood was replaced by keyboard/sax man Bob Jennings.

In it's prime, the band had a large following in Milwaukee, where they were pretty much the house band at the late, lamented Century Hall. They travelled well too, with fans in the Twin Cities, Chicago, Madison and even New York where they played legendary clubs like CBGB's, The Knitting Factory and The Lone Star. Their only record, Top Happy, came out in 198-. It featured a song produced by Nick Lowe, a fan who had stumbled across them after playing a show in Milwaukee. The record got great reviews and could have been the start of even bigger things, but like many bands, people were pulling, and being pulled, in different directions.

The positive result of their breakup was two, then three very vital and entertaining acts. There was Semi-Twang, which concentrated on John's songs and did a record, Salty Tears for Warner Brothers that gathered more love than sales. John later moved to nashville and had many of his songs recorded by artist like Dwight Yoakam, Flaco Jimenez and The Bodeans.

Paul and Robin continued with the beefed up and ever-popular Milwaukeeans, releasing a record in the 1990s on Shenachie that got radio play around the country. That lineup stayed around until Robin bid adieu. Tired of touring and now married, she headed to New York for a while, before returning. She has carved out a special niche between soul, swing, standards and the French chanson that she loves, and is still performing today.

In 2009 Semi-Twang reunited and have released two CDs, both of which garnered raves. Paul has continued non-stop, his latest was out last year with his most recent moniker, Tomorrow Sound. The three headed beast has been in rehearsal, tightening up songs old and new. The crowd at their first reunion gig in many years was up and dancing at the first down beat, you probably will be too.

The R&B Cadets

Saturday November 28, 202612:00pm $25.00

The R&B Cadets played their first gig shortly after New Year's in 1980 and their last in the summer of 1986. In that time they got a lot of folks out on the dance floor, playing a distinctive mix of of deep soul cuts from Paul Cebar's massive record collection and some sparkling originals, written by John Sieger, often in tandem with Michael Feldman, a friend and now longtime host of Public Radio's Whad'ya Know?

Splitting lead duties with Sieger and Cebar was the lovely chanteuse, Robin Pluer. Owner of one the lovelier voice heard in the midwest, Ms. Pluer was a dollop of sweetness at the top of the band's deep range. Rounding out the lineup was Mike Sieger, John's brother and vocal doppelganger, who played bass. Original drummer Cy Costabile, was later replaced by Bobby Schneider and the saxophonist Juli Wood was replaced by keyboard/sax man Bob Jennings.

In it's prime, the band had a large following in Milwaukee, where they were pretty much the house band at the late, lamented Century Hall. They travelled well too, with fans in the Twin Cities, Chicago, Madison and even New York where they played legendary clubs like CBGB's, The Knitting Factory and The Lone Star. Their only record, Top Happy, came out in 198-. It featured a song produced by Nick Lowe, a fan who had stumbled across them after playing a show in Milwaukee. The record got great reviews and could have been the start of even bigger things, but like many bands, people were pulling, and being pulled, in different directions.

The positive result of their breakup was two, then three very vital and entertaining acts. There was Semi-Twang, which concentrated on John's songs and did a record, Salty Tears for Warner Brothers that gathered more love than sales. John later moved to nashville and had many of his songs recorded by artist like Dwight Yoakam, Flaco Jimenez and The Bodeans.

Paul and Robin continued with the beefed up and ever-popular Milwaukeeans, releasing a record in the 1990s on Shenachie that got radio play around the country. That lineup stayed around until Robin bid adieu. Tired of touring and now married, she headed to New York for a while, before returning. She has carved out a special niche between soul, swing, standards and the French chanson that she loves, and is still performing today.

In 2009 Semi-Twang reunited and have released two CDs, both of which garnered raves. Paul has continued non-stop, his latest was out last year with his most recent moniker, Tomorrow Sound. The three headed beast has been in rehearsal, tightening up songs old and new. The crowd at their first reunion gig in many years was up and dancing at the first down beat, you probably will be too.

The Steepwater Band

Thursday December 3, 20268:00pm $20.00

The Steepwater Band is an American rock and blues band known for their gritty, soulful sound, blending classic rock, blues, and roots influences with a modern edge. Formed in Chicago in 1998, the band has built a reputation for electrifying live performances and a deep catalog of dynamic, guitar-driven songs.

Anthony Gomes

Saturday December 5, 20268:00pm $35 advance / $40 door

With a guitar slung over his shoulder and the amps turned up full tilt, Anthony Gomes electrifies blues and rock at a 21st century crossroads of his own. The Canadian vocalist, guitarist, songwriter and producer wails with all the force of a hurricane in the Mississippi Delta and enough fret-burning fireworks to leave his strings in flames. Over the years, he's toppled the Billboard Blues Chart at #1, earned the endorsement of legends such as B.B. King, tallied tens of millions of streams, and packed shows on multiple continents. In April 2025, Anthony Gomes is back with his much- anticipated 14th studio album, Praise the Loud, set for release on Rat Pak Records.

"I've learned how to embrace my voice as a guitarist and as a singer," he states. "I understand who I am, and I use my strengths to my advantage. I have a blues soul and a rock 'n' roll heart. I love to jump back and forth between both with a modern day approach. When I play rock, it's got a little more dust on it."

Born and raised in Toronto, Ontario, he fell in love with music as a kid, listening to everyone from Muddy Waters and Jimi Hendrix to Jeff Beck and Eddie Van Halen. At 14 years old, Anthony gravitated to the guitar and his relationship with the instrument was born. After grinding it out, his chops caught the attention of B.B. King's bus driver at a jam night. Blown away, the driver introduced him to B.B. who invited him to open up a string of tour dates in 2005. Gaining invaluable knowledge from "The King," he went on to share the stage with the likes of Buddy Guy, Robert Plant, Joe Bonamassa, Heart, Sammy Hagar, Kenny Wayne Shepherd, and more. Along the way, his concert attendees have included Academy® Award winner Morgan Freeman, John Goodman, and Vince Vaughn as well as Eric Clapton, to name a few.

2022's High Voltage Blues vaulted to #1 on the iTunes Top Blues Albums Chart, #1 on Amazon Music's New Release Blues Chart and debuted at #1 on the Billboard Blues chart. It remained on the Billboard Blues chart for 58 consecutive weeks, landing on 'Billboard's Top 15 Blues Albums of the Year' for both 2023 and 2024.

Meanwhile, Total Guitar listed Gomes as 'One of the 100 Greatest Blues Guitarists of All Time' in 2024. Guitar World readers voted him one of "The 30 Best Blues Guitarists in the World Today" in 2019, and the publication noted, "Gomes is another power player who is at his best when his gear is in the scorched earth between blues and rock."

Anthony's latest release, 2025's Praise the Loud, delivers 12 fresh studio tracks that showcase Anthony's musical evolution while staying true to the no-holds-barred sound that has earned him a global fanbase.

Reflecting on the new album, Anthony shares, "On Praise the Loud, we pushed our musical boundaries in every direction. We wanted it to rock harder than anything we've done before, but at the same time, we wanted it to have a deeper, more soulful blues feel. When people ask me what I sound like, I say, 'If B.B. King was in AC/DC, that's what it would be'. That's Praise The Loud in a nutshell."

Gomes cites the track 'Rock & Roll Bluesman' as the thesis of the album. "My favorite line on the album comes from the song 'Rock & Roll Bluesman': 'I don't care if they love or hate us, gonna turn it up so they won't forget us.' That lyric captures the spirit of the album-- declaring that we're playing blues rock on our own terms, no matter what."

From the powerful rhythms of the album opener "Praise the Loud" to the ZZ Top-inspired groove of "Netflix & Chill," Anthony tackles a range of emotions and topics with his signature blend of layered harmonies, infectious rhythms, and blues-infused grooves. Tracks like "Meet My Maker," "Black Diamond Heavy," and "Electric Blues Crusade" highlight his ability to stretch his creative boundaries and expand his lyrical scope, while songs like "Love Song Gone Wrong" and "In the Name of the Blues" showcase his unmistakable blues guitar mastery. Produced by Peter Carson/Anthony Gomes and mixed by Chris Collier, Praise the Loud packs the punch and energy fans have come to expect from this world- class blues artist.

In the end, Anthony Gomes is just the kind of guitar hero we need for today.

"I still believe in a world of guitar heroes," he smiles. "I strive for a world where you don't have to be 19 years old to sell a lot of records and tickets and to make a statement. I'm one of those people who doesn't think rock, or the blues is dead. I'm looking for fresh ways to bring them together. I'm at the table rolling the dice all in the name of blues and rock 'n' roll. I know there's never been a more exciting time for music, and I'm here for the journey."