Upcoming Shows

Lost Stars, The Keystones, Beach Static

FridayMay 24, 20198:00pm $8.00

With influences from bands like The 1975 and Imagine Dragons, Lost Stars is a dynamic group known for their lyrically driven songs that crossover pop, rock, dance and indie styles creating a truly unique sound. Since their latest single "Once In A Lifetime" that came out in April, the band has been non stop touring. With....

Lincoln Durham, Dan Tedesco

SaturdayMay 25, 20198:00pm $15.00

Armed with old bastardized mid-century guitars, hand-me-down fiddles and banjos, home-made contraptions with just enough tension on a string to be considered an instrument and any random percussive item he can get his hands or feet on, Lincoln Durham is a Southern-Gothic Psycho-Blues Revival-Punk One-Man-Band with a heavy....

Terry Reid

SundayMay 26, 20198:00pm $25.00

Recently Added Shows

Thank You Scientist, Bent Knee

FridayJune 14, 20198:00pm $20.00

Kiefer Sutherland, Raye Zaragoza

MondayJuly 1, 20198:00pm $40.00

Smooth Hound Smith

ThursdayJuly 18, 20198:00pm $10.00

Smooth Hound Smith is a foot stompin' American roots and rock band founded by Zack Smith (guitars/vocals/foot drums/harmonicas/banjo) and Caitlin Doyle-Smith (vocals/percussion). Established in 2012, and based in East Nashville, TN, they record and perform a varied and unique style of folky, garage-infused rhythm & blues.....

Popa Chubby

SundayJuly 21, 20198:00pm $20.00

Popa Chubby, born Ted Horowitz, has been hard rocking the blues in his fierce and soulful way for more than 25 years. Over the course of a career that dates back to 1994, he has been a force of to be reckoned with on the guitar, and his tempestuous, soulful playing has never been more powerful. An imposing figure with a....

Eilen Jewell

SundayJuly 28, 20198:00pm $15.00

Eilen Jewell laughs when told her label's president called her a musicologist. But she confirms she and her husband and bandmate, Jason Beek, have a passion for studying American music. "We really love to uncover the past. It's almost like digging for buried treasure," she says. "For me, that's where music is at. I like....

Milwaukee Comedy Festival - Judah Friedlander

FridayAugust 2, 20198:00pm $20.00

Milwaukee Comedy Festival is proud to present the hilarious Judah Friedlander (30 Rock, Netflix, Comedy Central, Late Night, The Daily Show). Tickets available at https://mkecomedyfest.com/event/judah-friedlander/. Hilarious, profound satire with endless ....

Dan Baird and Homemade Sin

WednesdayAugust 7, 20198:00pm $15.00

Squirrel Nut Zippers

SaturdayAugust 10, 20198:00pm $30.00

Band of Dust

SaturdayAugust 17, 20198:00pm $8.00

Band of Dust is an indie-rock band based out of Milwaukee, WI. Their sound evokes both rustic afternoons and urban nights where suspenseful storytelling and anxious confessions intersect. It's a sound that's both contemporary and classic, informed by the energies of artists like Tom Petty and the Heartbreakers, The....

Griffin House

ThursdayOctober 3, 20198:00pm $20.00

Matt Wilson and his Orchestra

SaturdayOctober 12, 20198:00pm $20.00

That one. The guy from Trip Shakespeare. The one in The Twilight Hours. John Munson's friend. Jacques Wait's protege. My musical quest has been continuous. Crazy when I think about how I've been chasing after songs without a break ever since I was a boy. Non-stop. Never ceasing. I've been probing and exploring in my....

Trashcan Sinatras

FridayOctober 18, 20198:00pm $25.00

Jon McLaughlin, Sawyer

SaturdayOctober 19, 20198:00pm $25.00

Everything in Jon McLaughlin's life makes its way into his music, whether he's conscious of it or not. The artist, raised in Indiana and based in Nashville, brings all of his experiences and beliefs into each song he creates, something that is especially true now that he's the father of two young girls. Jon released his....

Alternative Concert Group Presents

John Prine, Todd Snider SOLD OUT

FridayMay 24, 20198:00pm

At the Fox Cities Performing Arts Center, Appleton, WI.

Tickets on sale at TicketMaster, the Fox Cities PAC box offices, or by phone 920-730-3760.

John Prine, Todd Snider SOLD OUT

SaturdayMay 25, 20198:00pm $73.50 - $103.50

At the Overture Center for the Arts, Madison, WI.

Tickets on sale at Overture.org, the Overture box offices, or by phone 608-258-4141.

Gordon Lightfoot

MondayJune 17, 20198:00pm $65 / $55

At the Meyer Theatre, Green Bay, WI

Tickets on sale at the Resch Center box office, Ticket Star or by phone 800-895-0071.

Justin Hayward

WednesdayAugust 7, 20197:30pm $70

At the Pablo Center for the Arts, Eau Claire, WI.

Tickets on sale at pablocenter.org.

Justin Hayward

ThursdayAugust 8, 20197:30pm $70 / $50

At the Grand Theater, Wausau, WI.

Tickets on sale at grandtheater.org or at the Grand Theater box office Monday-Friday 9:00am-5:30pm and 9:00am-noon on Saturdays from September through May.

John Hiatt

SundayOctober 20, 20197:30pm $45.00

At the Barrymore Theatre, Madison, WI.

Tickets on sale at barrymorelive.com, or by phone at 608-241-8633 (Mon-Fri noon-5pm).

Arlo Guthrie

SaturdayNovember 9, 20198:00pm $45.00

At the Barrymore Theatre, Madison, WI.

Tickets on sale at barrymorelive.com, or by phone at 608-241-8633 (Mon-Fri noon-5pm).

Quick Calendar

Terry Reid, 'Superlungs' as he's affectionately known, is without doubt one of the greatest rock/soul voices this country has ever produced or is indeed likely to. A Terry Reid concert should be a cherished memory for any self-respecting fan of the greats of British music.

Terry turned down the front man's job with Led Zeppelin, recommending his mate Robert Plant instead, a similar offer and rebuff to Deep Purple. Aretha Franklin's stated that The Beatles, Rolling Stones and Terry Reid were the best England had to offer in 1968. He underwent two World Tours with The Rolling Stones, US tours with Cream, UK tours with Jethro Tull and Fleetwood Mac, The Isle of White Festival in 1969 and Glastonbury in 1970, played at Mick Jagger's wedding, before soured record deals resulted in Terry leaving Britain for America nearly 40 years ago.

All true, but the full story includes numerous collaborations with Graham Nash, covers of Reid songs by Marianne Faithfull, The Hollies, The Raconteurs (the hugely popular 'Rich Kid Blues'), film soundtracks, including a song in George Clooney's recent film 'Up In The Air', and a catalogue of 6 studio albums, including the seminal album 'The River', re-released to critical acclaim in 2002 and the 1976 Nash produced 'Seed of Memory'. A Reid song 'Horses Through a Rainstorm' also features on CSN's box set.

More recently, Terry's been working with up and coming French band Shine and The Alabama 3. Following a Glastonbury return in 2009, he played a three night residency at Ronnie Scott's in London, one of only a handful of non-Jazz artists invited to help mark the legendary venue's 50th Anniversary. He played to packed houses, critical acclaim, and returned in 2010 and 2011 to sell out 3 consecutive nights.

In May 2011, he toured Ireland for the first time in 30 years and released a new live album 'Live In London' which included several previously unreleased tracks. Uncut Magazine presented a show featuring Terry at The Jazz Café and he toured England, including several sell-out shows. A return to Glastonbury, headlining the Spirit of 71 stage followed.

2012 turned out to be an important year for Terry Reid. In May 2012, Rumer featured Terry's song 'Brave Awakening' on her new album Boys Don't Cry, (which entered the UK Album Chart at No3). Terry returned to the Isle of Wight Festival for the first time since 1971 in June. In August 'America's Got Talent' Winner in 2010, Michael Grimm, included Terry's song 'Without Expression' on his latest album, Gumbo. In the spring, DJ Shadow had invited Terry to write the lyrics to a new track for his forthcoming 'Reconstructed' album -- This became the song 'Listen' and the official video got 400,000 plays on Youtube in late 2012.

Los Angeles born guitarist Nita Strauss has become a force to be reckoned with in the music world, dazzling audiences across the US, UK, Europe, South America, Asia, Australia and Africa. Most fans will recognize Nita as Alice Cooper's touring guitarist of the past 4 years, but she has also played with R&B star Jermaine Jackson, early MTV darlings Femme Fatale, video game supergroup Critical Hit and popular tribute band The Iron Maidens. Her skill, exuberant stage presence and love for all things about her instrument have earned her a stellar reputation in the music industry and endorsements including Ibanez Guitars, Marshall Amplification, DiMarzio pickups, Monster Energy and more.

2018 has been a banner year for Nita. In January she was officially announced as the first ever female Ibanez signature artist with her own model, the Ibanez JIVA. She also released her signature pickups, the DiMarzio Pandemonium. April saw Nita playing WWE Superstar Shinsuke Nakamura's entrance music at Wrestlemania in New Orleans in front of an audience of 78,000 fans and millions streaming worldwide, and in the same month she launched a wildly successful Kickstarter campaign for her debut solo record Controlled Chaos. The campaign reached its goal in two hours, doubled it by the end of the day, tripled the following day and ended up over 800% funded. Nita produced the record herself and did the majority of the engineering, as well as playing all the guitars and bass on the record. After the record was competed, Nita signed with Sumerian Records to release and distribute the album worldwide. After finishing out the Alice Cooper tour cycle, Nita will immediately hit the road supporting Controlled Chaos alongside modern guitar virtuoso Angel Vivaldi.

Nita has been featured on the covers of many worldwide print magazines and on dozens of albums, trailers, and soundtracks, including Heroes Of The Storm (Blizzard) and Grammy-nominated Metal Gear Rising: Revengeance (Konami/ Platinum Games); and is the author of the Guitar World column "Like A Hurricane". Nita was also the official in-house guitarist for the LA KISS, the arena football team owned by Paul Stanley and Gene Simmons of KISS. She is one of the most sought after clinicians in the industry and has done extensive clinic tours across multiple continents. Her consistent touring schedule has shown her to play in front of over a million audience members per year consistently for the past several years. Nita is also extremely passionate about health and fitness, and uses her wide social media reach to inspire and educate people about maintaining a healthy lifestyle while traveling on tour.

Joe Richter sings from the heart, emotes his truth with sweet melodies and telegraphs no pretensions in his approach to the microphone. He loves the songcraft of his musical idol Billy Joel as well as Ryan Adams. Richter's early inspirations included Dave Matthews, John Mayer, Jack Johnson and, well, Elvis.

Richter's songs are personal yet hold broader meaning. A song to his wife, Emily, also rings true to a world wracked with violent events.

"We look around and we hear the sound of a world so down, the pain the hurt and the fear, our love drowns it out, I love the love that I feel for you, I love the way you love me too, I can't get over you."

Richter's first-ever full-band recording "Revival" showcases the sound he envisioned when entering the studio in 2017 with some of Milwaukee's finest session players. Joe's Milwaukee music pal Willy Porter lends solo guitar support on the lead single "Happy Tears" that dropped February 26th.

"I wanted to put a full band behind the music," says Richter.

Richter released a solo acoustic album in 2012 entitled "Grace." The title track of that EP was taken from a recording session in Nashville, TN at Castle Recording Studios in 2008. He also formed a band called Joe Richter and Those Fabulous Tremtones to play Milwaukee night club gigs.

Since then, the former factory assembly worker has applied himself tirelessly to gigs around southeast Wisconsin performing his own material as well as in-demand covers. He's willing to play "Piano Man" but he'd rather go deeper into the Joel library.

The new album's title connotes gospel, and Richter is fine with that, but says it's more about his musical transformation, improvement and growth. His day job changed as well when he returned to school to learn respiratory therapy, a skill he employs at a hospital in Milwaukee's central city.

In 2017, Richter debuted as lead vocalist in the Daryl Stuermer Band performing the songs of Genesis and Phil Collins. Stuermer has been a member of the Genesis and Collins touring bands for decades.

Not bad company for singer-songwriter Richter, who one Milwaukee radio disc jockey described as delivering songs "full of pure wonder, delivered with exquisite pop sensibility and lyrical phrasing like a heart-warming conversation."

Richter's "Revival" received several nominations in 2018 at the Radio Milwaukee Music Awards which included album of the year, artist of the year, and song of the year for "Wisconsin Fall", which finished as a finalist in the top 5.

He is poised to share his musical talents and heartfelt songs through a wider audience that gets just how much he wants to reach them with his songs.

Described by the magazine Rootstime in Belgium as 'One of the greatest talents of our era", and listed as the "2nd best gig" by the major UK newspaper The Independent, becoming the #1 most played artist on Canadian Galaxie Folk/Roots radio, Western Canadian Music Award winning artist Sarah MacDougall is getting known for her honest and poetic songs, passionate performances, and unique voice. Born in Sweden, Swedish magazine Nöjesguiden declared her "One of Sweden's best singer/songwriters".

Since the release of award-winning The Greatest Ones Alive in 2011, Sarah has been touring Canada and Europe endlessly, taking time to work on songs and record between tours. Last winter, she hunkered down under the Northern Lights in Whitehorse and put the final touches on the sonically rich album which was to become Grand Canyon. The album, co-produced by Sarah and Caleb Stull (Field Study, Dominique Fricot, Language Arts), which was recorded in Toronto and Vancouver, features 8 songs and guest appearances from Erika Angell (Thus:Owls), Rose Cousins, Jesse Zubot (Tanya Tagaq, Dan Mangan), Peggy Lee, and Leah Abramson (Abramson Singers). Stepping outside of traditional folk and flirting with sounds that could have come from The Postal Service or Kate Bush, Grand Canyon keeps the acoustic guitar but infuses the sound with heavier drums and richly textured strings and synths.

The songs are about identity, love, fear, hope, growing up, rootlessness, forgiveness. They are written from the point of view of the hopeful outsider, trying to figure out their place and make sense of the world. Grand Canyon sees Sarah challenging herself and pushing new boundaries musically and sonically, and it is an album that will surely see Sarah reach new levels in her career.

Expertly navigating that rarefied space between elegiac folk and accessible pop, Toronto-based singer/songwriter and multi-instrumentalist Ben Kunder has emerged as one of the most electrifying musicians on the indie scene and a sought-after live performer. Kunder's dazzling sophomore album "Better Human" is poised to dominate 2018/19.

Real life anchors most of "Better Human", the record exploring compelling themes like the birth of a child, the struggle for life balance, the workday reality propping up our outward façade, largely illuminating the human struggle to navigate through the world while sharing darkness in order to see the light.

Produced alongside Aaron Goldstein at Baldwin Street Sound, guests include Oh Susanna, Jim Guthrie, Paper Bird/Bahamas singer Carleigh Aikins, Sarah MacDougall, Maia Davies, bassist Anna Ruddick, Arkells drummer Tim Oxford and keyboardist Anthony Carone, violinist Drew Jurecka, and Wintersleep drummer Loel Campbell, among others. Propelled variously by strings, pedal steel, keyboards, percussion, guitar, bass, and those spectacular before-mentioned voices; renders small moments in precise detail, making his songs both accessible and, occasionally, downright palpable.

Michael McDermott burst onto the scene in his early 20s with his exceptional debut, 620 W. Surf and subsequently found himself touted as Rock's 'Next Big Thing'. MTV, Rolling Stone, The New York Times and even author, Stephen King added their appreciative nods and having the backing of Giant Records and prestigious producers like, Brian Koppelman and Don Gehman, seemed to go a long way towards assuring his success - overnight success.

The missteps and failures that followed, the collapse of an industry that once embraced him as its next sensation, are troubles and travails that either ruin a person completely, or they force a change of attitude and staunch determination to gather one's resolve to not only survive, but overcome. McDermott vowed to do both. Ten albums in, it's resulted in Willow Springs (Pauper Sky, June 17, 2016), one of the most honest, daring and defiant recordings of McDermott's career. Named for the small town where he now resides with his wife and young daughter, it reflects a certain circumspect about his life, the situations he's encountered, while realizing that ultimately, his fate resided in his own hands.

"This is an album of reckoning I suppose," McDermott reflects. "There was a real cacophony of change going on in my life at the time... being a new father, losing my own father, leaving the city for the country, dealing with sobriety, grief, death, mortality, shame and forgiveness. It was a veritable emotional tsunami and yet somehow I had to navigate through it all. That journey is reflected in these songs. Willow Springs is the name of the place where I took refuge and had to confront a lot of things".

Recorded at his home in the country and fan-funded, Willow Springs finds McDermott behind the boards as producer for the first time with longtime producer and collaborator, Lex Price doing the mix. Having enlisted a stellar support group of musicians -- including multi-instrumentalist, Price; guitarist, Will Kimbrough; keyboard player, John Deaderick ; sax player Rich Parenteau; and McDermott's wife, Heather Horton on backing vocals - McDermott found himself able to craft the unassuming yet cutting sound he envisioned.

Indeed, the results bear out the fact that Willow Springs is the most honest and expressive album of McDermott's extraordinary 25 year career. Songs such as, 'These Last Few Days', 'Getaway Car', 'Half Empty Kinda Guy', 'One Minus One' and the title track, convey all at once, a sound that's both reflective and confessional - borne by stark emotion and a tattered, battered delivery that's both sobering and sublime. McDermott remains more determined than ever, and Willow Springs is the result. "My enthusiasm is only matched by my desire to continue to evolve as an artist" he insists.

Accolades and kudos can be accumulated one minute and quickly dissipate the next. After all, the music biz is a fickle beast and it doesn't matter how much you pleased the masses last year, last month or even last week, but rather, about what you offer today.

Today, McDermott has offered his best.

Kudos to Michael McDermott - overnight success.

Thank You Scientist was forged from the music program at Montclair State University in New Jersey when guitarist Tom Monda met saxophonist Ellis Jasenovic and trumpeter Andrew Digrius. The three bonded over their love for Frank Zappa, Mahavishnu Orchestra, The Beatles and Harry Nilsson. Those influences would become the seeds for what Thank You Scientist would evolve into today.

With the addition of vocalist Salvatore Marrano, bassist Greg Colacino, drummer Odin Alvarez and violinist Ben Karas, Thank You Scientist's lineup of virtuoso musicians was complete. The band would go on to self-release an EP, The Perils of Time Travel, in 2011 followed by their debut full-length, Maps of Non-Existent Places, in 2012, which caught the ear of Sanchez, a fellow purveyor of progressive stylings, and led to his signing of the band.

Bent Knee is a band without frontiers. Its borderless sound combines myriad influences from across the rock, pop, minimalist, and avant-garde spectrums into a seamless, thrilling whole. Its new album Land Animal--Bent Knee's first for InsideOutMusic/Sony--takes its sound to a new level. It offers a suite of songs full of addictive hooks, lush melodies and enthralling twists and turns that capture the reality of life in the 21st Century--a reality of people and nations in the midst of tumultuous change. It also communicates a ray of hope and desire for listeners to embrace the fact that they're not alone in their struggles.

"The silo-smashing Bent Knee's unique mix is equal parts ingenuity and deliciousness," said Jim Fusilli of the Wall Street Journal in 2016 when he first heard the group. "Bent Knee breaks new stylistic and temperamental ground," declared Steve Smith of The Boston Globe. Other media outlets worldwide have reacted with similar enthusiasm, including NPR and the BBC, which have playlisted the band.

Bent Knee formed in 2009 as a democratic collective determined to push the boundaries of pop and rock. Lead singer and keyboardist Courtney Swain's soaring vocals are instantly arresting. Guitarist Ben Levin is one of the most dynamic and versatile guitarists around, shifting between the raging and raucous to the sublime and meditative. Bassist Jessica Kion and drummer Gavin Wallace-Ailsworth combine into an enthralling rhythm section that's equal parts powerhouse and nuance. Violinist Chris Baum's kinetic violin work provides drama, grace and intrigue. World-class producer and live sound designer Vince Welch weaves it all together with a captivating, expert touch.

The band has gone from strength to strength in recent years. Its last two albums, 2016's Say So and 2014's Shiny Eyed Babies, were hailed as significant art-rock achievements. The group has performed hundreds of shows across the world to date. During the fall of 2016, the band played for ecstatic audiences as an opener for the U.S. leg of The Dillinger Escape Plan's farewell tour.

With Land Animal, Bent Knee has elevated its storytelling ambitions to create narratives that reflect and refract the currents we're exposed to in the news every day.

"We're at this bizarre point in history when our species can almost actively play God," explained Baum, when discussing the themes running through the album. "We're getting closer and closer through communication and technology. On the flip side, we still have many primal urges that have yet to evolve. There's a strange balance between our technology and our biology that's tremendously difficult to find. Land Animal explores where those animalistic urges come from and how we can harness and transform them to create a better reality."

"The album has all kinds of songs about struggle," added Levin. "We look at global warming, family strife, technology-mediated relationships, racism, and societal polarization. Each song is imbued with a dichotomy between who we are now as a species and where we're going."

As the band hits the road in support of the album, it intends to explore the diversity of thought amongst its ever-growing audience in a world where it's increasingly easy to live inside one's echo chamber of ideologies.

"I think our music is powerful and capable of uniting people with different perspectives," said Kion. "They may think about things differently, but they're there together, part of the concert. The fact that music and art can bring people together in that way is a really significant force that's needed right now."

"We haven't made a political album with Land Animal," said Wallace-Ailsworth. "However, it's definitely motivated by the difficult state of the world at the moment. If people are able to take some comfort in our music or create dialog through it, those are great things for us."

Like the band's previous work, Land Animal is full of fresh, sophisticated arrangements and beautiful vocal harmonies, but it's also its most direct statement to date.

"It's a really juicy and immediate album," said Swain. "With our previous album Say So, I think it took people a few listens to absorb its themes. That's not the case with Land Animal, which delivers more instant gratification."

"We tried to balance that with an appealing narrative arc," said Welch. "The album starts with 'Terror Bird,' a song about individuals and communication issues and ends with 'Boxes,' a song that explores the fact that we're all marching towards our own demise, so we better make the most of the time we have. Land Animal is an epic journey."

At the end of the day, the band believes strongly in music as a force for positive change and delivering ideas no other medium is capable of.

"We believe music is the most efficient way to get a point across," said Baum. "The only way to cut through the noise of a confused, globalized world is to create something that speaks directly to the soul, and that's what we hope we've done with Land Animal."

"It's nice to be alive," Bob Schneider sings on Katie, the second song off of his new record "Blood and Bones", his 6th since his 2001 solo debut Lonelyland. While this might sound like naivety or blind optimism, for Schneider, one of Austin's most celebrated musicians, this observation was earned through experience. "Most of the songs are about this phase of my life," he admits. "I'm re-married, I have a 2-year-old baby daughter who was born over two months premature because my wife had life threatening preeclampsia. So dealing with that traumatic event while getting older and looking at death in a realistic, matter of fact way, experiencing the most joy I've ever experienced along with feelings of utter despondency in a way that would have been impossible to experience earlier in my life all comes out in the songs. My relationship with my wife is the longest committed relationship I've ever been in, so there was a lot of unchartered territory there to write about."

The songs on Blood and Bones reflect this. Recorded quickly with producer Dwight Baker, who has worked on Schneider's last 6 releases, the album highlights the chemistry that Schneider and his backing band of Austin's very best musicians have developed while relentlessly playing live, most notably at the monthly residency Schneider has held at Austin's Saxon Pub for the last 17 years. "I didn't want to overthink the songs," Schneider says. "I really respect Dwight's ability to make great calls when it comes to what works and isn't working when we are recording the songs. I felt pretty good about the quality of the songwriting, so I figured that would come through in the end if we just went in and played them the way I do live."

While the performance and production are stellar, the songwriting finds Schneider in a particularly reflective mode. Sure, there are live favorites like "Make Drugs Get Money" and "Texaco" that will get even the most reserved crowds dancing. But more often the album finds Schneider reflecting on marriage, parenthood and mortality. "I wish I could make you see how wonderful everything is most of the time, but I'm only blood and bones," he sings on the title track, a meditation on the beauty and the limits of marriage. Later, on "Easy" he tells his daughter "it's always been a scary thing to do, to let my heart fall down into the endless blue, but it's easy with you." Through it all, there is a clear sense of mortality, of just how fleeting all of this is. "The hours and days stack up in the mirror," he sings on "Hours and Days". "We're just snowmen waiting for the summer" he signs on "Snowmen", before adding "we can't bring them back, can't bring nothing back."

One thing Schneider has excelled at in his career is bringing audiences back. Though he has received little national press or major label support, he has managed to become one of the biggest acts in Austin, if not Texas. His fans, who often discovered him after being brought to his shows by their friends, are fiercely loyal. Many have attended dozens or even hundreds of shows. Thanks to these fans, Schneider has won more Austin Music Awards than any other musician, including Best Songwriter, Best Musician, and Best Male Vocals.

In retrospect, it appears inevitable that Bob Schneider would become an artist. He was born in Michigan and raised in Germany, where his father pursued a career as a professional opera singer. As a boy, Schneider studied piano and guitar, often performing at family parties and backing his father on drums at nightclubs throughout his youth in Germany and Texas. He went on to study art- his other primary passion and avocation- at the University of Texas El Paso, before moving to Austin and establishing himself as a musician. He performs relentlessly, writes songs compulsively, writes poetry and regularly shows his visual art in galleries around Austin. With Blood and Bones, Schneider further cements his reputation as one of the most versatile, inventive and engaging songwriters working today.

Kiefer Sutherland (born 21 December 1966) is a Canadian actor, producer, director, and singer-songKiefer Sutherlandwriter. His full name is Kiefer William Frederick Dempsey George Rufus Sutherland.

Kiefer portrayed Jack Bauer in the hugely popular drama series 24 (which aired 2001-2010, 2014). His performance on the show garnered an Emmy Award, a Golden Globe Award, two Screen Actors Guild Awards, and two Satellite Awards.

Donald Sutherland is Kiefer Sutherland's father, and actress Sarah Sutherland is his daughter -- acting truly runs in the family.

He has also starred as Martin Bohm in the Fox drama Touch, and lent his acting abilities as Big Boss and Venom Snake in the video games Metal Gear Solid V: Ground Zeroes and Metal Gear Solid V: The Phantom Pain.

Fans have enjoyed Kiefer's stellar performance as President Tom Kirkman in the ABC political drama series Designated Survivor (2016-2018).

Kiefer got his first leading film role in the Canadian drama The Bay Boy (1984), which earned him a Genie Award nomination. Since then, Kiefer has entertained audiences the world over, starring in films such as Stand by Me (1986), The Lost Boys (1987), Young Guns (1988), Flatliners (1990), A Few Good Men (1992), The Three Musketeers (1993), A Time to Kill (1996), Dark City (1998), Phone Booth (2002), Melancholia (2011), Pompeii (2014), Forsaken (2016) and Flatliners (2017). Click to find out how many films Kiefer Sutherland has been in.

Kiefer Sutherland has been inducted to the Hollywood Walk of Fame and to Canada's Walk of Fame, and has received a Lifetime Achievement Award at the Zurich Film Festival.

Kiefer Sutherland, whose "unexpected, unvarnished authenticity as a singer/songwriter" (Associated Press) and "edgy vocals blended with passion" (Rolling Stone)

Recently performed 50 shows in 7 countries in less than 3 months during his 2018 Reckless tour. This covered North American and European tour.

Sutherland's career as a touring and recording artist has catapulted him globally as a respected guitarist and vocalist. A riveting performer, Kiefer engages audiences with his self-deprecating wit and shares the stories behind his highly personal songs that populate his 2016 debut album Down In A Hole, and his forthcoming new release Reckless & Me, including his new single "This is How It's Done."

During his lengthy shows, he covers some of his favourite songs from Merle Haggard and Tom Petty. Displaying equal ease with both rock classics and country standards.

Though Kiefer Sutherland loves writing and recording, the stage holds a special place in his heart. For the last three years, Kiefer toured extensively earning the acclaimed actor a reputation as a relentless road warrior.

His primary motivation as an artist is the thrill of forging that connection with his audience through the music. "I couldn't have imagined the depth with which I have fallen in love with touring. To have the opportunity to convey intimate, personal stories to an audience, for me, has proven to be priceless," Kiefer said.

From early days growing up in the southeast Los Angeles suburb of Downey, California under the tutelage of T-Bone Walker and Big Joe Turner to their emergence as central figures in the eclectic LA punk/rock scene of the early '80s to their current status as internationally-renowned influences in their own right, the Blasters have spent their lives exploring and expressing the deep and diverse musical legacy that is best described by the title of their first album: American Music.

A performance by today's Blasters--vocalist-guitarist Phil Alvin, drummer Bill Bateman, bassist John Bazz, and guitarist Keith Wyatt--reflects influences that range from George Jones and Carl Perkins to Howlin' Wolf, James Brown and Bo Diddley. The band's 1980 debut album American Music (Rollin' Rock) was a powerful collection of fresh, distinctive performances that shattered the artificial boundaries between blues, rockabilly, country, R&B and rock & roll. The next three albums for Slash/Warner Bros. (The Blasters, Non-Fiction, and Hard Line) increasingly featured the unique songwriting voice of original guitarist Dave Alvin as the band's lineup expanded to include pianist Gene Taylor plus saxophonists Steve Berlin and New Orleans legend Lee Allen ("the man who put a saxophone in rock & roll"). As the Blasters' fame grew, they began to draw accolades from artists as diverse as Bruce Springsteen, Eric Clapton and Queen, and in turn the band encouraged and supported still up-and-coming LA musical peers such as Dwight Yoakum and Los Lobos

In 1986, Dave Alvin left the band to pursue a solo career, and over the next decade a series of renowned guitarists including Billy Zoom, Michael "Hollywood Fats" Mann, Greg "Smokey" Hormel, and James Intveld filled the position. Phil Alvin simultaneously expanded his own musical efforts with the release of two acclaimed solo albums, Unsung Stories (Slash/Warner) in 1986 and County Fair 2000 (Hightone) in 1994.

In 1996, current guitarist Keith Wyatt joined the lineup and the Blasters continued touring steadily in the US and Europe before returning to the studio in 2004 to record 4-11-44 (Rainman). After the departure of drummer Jerry Angel, the band reunited with original member Bill Bateman and subsequently released their 2012 CD Fun on Saturday Night (Rip Cat). Meanwhile, the Blasters' catalog was renewed with reissues of American Music along with two Slash/Warner compilations (Testament and The Blasters Collection) and the live recordings Trouble Bound and Going Home Live (Shout Factory).

Blasters shows have been described as "a cross between Creedence and the Clash," with a display of passion and energy only deepened by decades of experience. For all of the ways in which the world has changed in the past few decades, one thing is still guaranteed: the Blasters play American Music.

You've heard our name, you've seen our records, our t-shirts and our stickers. We're probably the favorite band of someone you know and yet maybe we're still a mystery to you. Well my friend, that's okay, you're at the right place to get to know the greatest rock-n-roll band in the world, The Supersuckers.

And the next time you see the 'Supersuckers' name, whether it's in the record store, online somewhere, or on the marquee at your local rock club, know that there's some quality, honest, ass-kicking, hard working individuals behind it all trying to make your life a little better through the "Evil Powers Of Rock-n-Roll" (and the occasional detour into the country music, of course) and we'd love nothing better than to have you there with us as! Just remember to wear clean underwear, because we're gonna rock your pants right off of you.

Since his stunning debut, Thunderstorms and Neon Signs in 1995, Wayne "The Train" Hancock has been the undisputed king of Juke Joint Swing - that alchemist's dream of honky-tonk, western swing, blues, Texas rockabilly and big band. Always an anomaly among his country music peers, Wayne's uncompromising interpretation of the music he loves is in fact what defines him: steeped in traditional but never "retro;" bare bones but bone shaking; hardcore but with a swing. Like the comfortable crackle of a Wurlitzer 45 jukebox, Wayne is the embodiment of genuine, house rocking, hillbilly boogie. Wayne makes music fit for any road house anywhere. With his unmistakable voice, The Train's reckless honky-tonk can move the dead. If you see him live (and he is ALWAYS touring), you'll surely work up some sweat stains on that snazzy Rayon shirt you're wearing. If you buy his records, you'll be rolling up your carpets, spreading sawdust on the hardwood floor, and dancing until the downstairs neighbors are banging their brooms on the ceiling. Call him a throwback if you want, but all Wayne Hancock wants to do, is simply ENTERTAIN you, and what's wrong with that?

The LA Weekly calls Clownvis Presley "Better than the real Elvis". A bold statement indeed, but when it comes to quick wit, incredibly catchy songs, and genuine showmanship, its safe to say Clownvis has earned the title "The King of Clowns". From the sideshow at Coney Island to the hottest comedy events in Los Angeles and everything in between, Clownvis is consistently brining his unique blend of comedy, song, and magic to stages across America.

Thanks to a controversial appearance on NBC's America's Got Talent, Clownvis is now familiar to millions of people around the planet. His phenomenally outrageous audition is a must see (check Youtube). Following this sensational break through, Clownvis has appeared on Comedy Central, The Tom Green Show, Sirius XM, and top FM stations across the country. He tours and performers regularly with such high profile acts as Mac Sabbath, Unknown Hinson, Insane Clown Posse, Neil Hamburger, Tim Heidecker and more.

Mighty Mystic is considered as one of the leaders in the U.S. Reggae scene and labeled by many as one of the more prolific artists to develop outside of Jamaica. He has gripped the scene with ferocious conviction and an uncanny ambition worthy to be mentioned among the greats. He has gone from being a fan of reggae music to being a contributor to the art. Mighty Mystic came on the scene in 2006 after scoring his first international hit with the song "Riding on the Clouds." However, it wasn't until the release of his first album "Wake up the World" (2010) that he became a household name. "Wake up the World" boasted several standouts, such as "Revolution," "Riding on the Clouds," "Original Love," and "Slipped Away" with appearances from reggae icon Shaggy and roots rocker Lutan Fyah. Mystic continues to wake up the world with his high energy, message driven brand of reggae music which he emphatically calls "HARD ROOTS." It is this unique spin on classic reggae blended with Hip Hop & Rock that has catapulted him to the forefront of today's Reggae Revival. Mighty Mystic is also the younger brother of current Jamaican Prime Minister Andrew Holness. When asked, does being the brother of Prime Minister Holness have any impact on your music? Mystic simply says "Andrew has a job to do and so do I, impact or not we both have our own mission to complete".

Mighty Mystic was born Kevin Mark Holness in the farming community of Goshen, St. Elizabeth, Jamaica to parents Morris & Sonia Holness. As a child, Kevin showed early interest in his native island's music. It was common to hear him singing the latest tunes while imitating the actions of popular reggae artists. When Kevin was 10, the family relocated to Boston, MA in search of a new life. Though oceans apart Kevin never lost the passion for his beloved reggae music. Kevin's brother Stephen was already making a name for himself in the local Hip Hop scene as an up and coming rapper. This intrigued young Kevin and it wouldn't be long till he was bitten by the music bug. Soon he would be at every school talent show, every house party, every park showcase, every rap battle, every studio doing features, on every show as the opening act and before you knew it young Kevin had the ears of his City. It was becoming clear that this early buzz might be a real thing so he decided it was time for a musical name. He chose Mystic as it was his father's nick name as a kid and also the area Kevin was living in at the time, but moreover it was a reflection of the type of music he was into and doing. As Mystic arrived so would a new level of determination and passion. By the time he was 19, he had several songs as well as remixes produced by DJ Roy Barboza being played on Boston's #1 commercial radio station JAMN 94.5. The buzz would ignite like a wildfire and spread nationally. Soon the big boys like Funk Master Flex in NY was rocking MM, DJ Khaled in Miami and the Baka Boys in LA to name a few. And in a blink of an eye the foundation for a "Mighty" future was set.

Mighty Mystic has turned himself into one of the more sought after U.S. based Reggae artists on today's scene. His brand of "HARD ROOTS" with his high energy stage performance has been a magnet for the young enthusiastic reggae fan base. He has managed to hold firm to his Jamaican roots while adding elements of Hip Hop & Rock giving Mystic a more unique sound. Mystic has released 3 albums which all debuted in the top 10 on iTunes and Billboard reggae charts (Wake up the World 2010, Concrete World 2014, and The Art of Balance 2016). As well as a dozen bona fide single hits such Riding on the Clouds, Revolution, Concrete World, Something Bout Mary, Happy and Cali Green which was featured on VP Records "Hi Grade Ganja Anthems 4" compilation (2016). He has done over 20 national tours and several international tours. Mystic has toured and/or shared the stage with Ziggy Marley, Steel Pulse, Damian Marley, Buju Banton, Stephen Marley, Shaggy, SOJA, Toots and the Maytals, Collie Buddz, Sean Paul, Lee Scratch Perry, Barrington Levy, The Wailers, John Brownʼs Body, Luciano, Third World, Freddie McGregor, Capleton, Badfish, the Dirty Heads and the list goes on and on and on... Mystic's high energy stage performance is a sight to see as was evident at Jamaica's premiere reggae festival Rebel Salute 2018 and America's longest running festival Reggae on the River 2017. He has guest appeared on massive TV networks such as NBC TV, FOX TV, ABC TV and CBS TV. For many, this would be a summary of a long career, but for Mighty Mystic this is still just the beginning. Look out for a February 1st 2019 release of his 4th studio album titled "Enter the Mystic" and a 20+ city tour to support this venture via VP Records/VPAL.

For over 50 years, John Mayall has served as a pioneer of blues music, rightly earning him the title, "The Godfather of British Blues".
In 2013, John signed with producer Eric Corne's label, Forty Below Records, and has since been experiencing a true artistic and career renaissance.

The revival continues with the release of a brilliant new studio album Talk About That, produced by John and Eric at the famed House of Blues Studios in Encino, California. Joining Mayall (vocals, keyboards, harmonica and guitar), Greg Rzab (bass), Jay Davenport (drums) and Rocky Athas (guitar) as special guest is legendary guitarist Joe Walsh, who plays on two tracks, "The Devil Must Be Laughing" and "Cards on the Table," both John Mayall compositions. "We got a message through the studio owner that Joe wanted to come by and possibly play on a track or two as a guest," recalls Mayall. "Who was I to say no to that idea! So, he turned up at noon on the second day and with only a quick listen, plugged in and we did the song in one take. The second song closely followed, and with a smile and a quick photo, he was done and on his way. What a kick for all of us that day!"

For Joe Walsh, playing on a session with one of his musical heroes also held a special place. "It has been a bucket-list item since 1970 to play with John Mayall," he states. "John had a run of GREAT British guitarists (one after another) with his 'Bluesbreakers' albums, and that's how many of us in the States became aware of them. Clapton, Peter Green, Mick Taylor - I studied them all for hours and became a much better guitarist as a result. The albums were legendary stuff and I have wanted to work with John for years and years, wondering what it would be like."

"Finally got the chance - and he was the complete gentleman and fine, fine musician I had always hoped he would be. When you meet a hero who helped shape your career - it's a wonderful feeling to find they're even cooler than you always thought they were." The album contains eleven tracks: eight originals, plus covers from Memphis soul music songwriter Bettye Crutcher ("It's Hard Going Up"), blues great Jimmy Rogers ("Goin' Away Baby") and rock singer/songwriter Jerry Lynn Williams ("Don't Deny Me"). It also showcases a three-piece horn section that adds extra punch on several tracks, including the infectious New Orleans-flavored "Gimme Some of that Gumbo."

The release of Talk About That comes on the heels of Mayall's internationally-acclaimed, Find A Way To Care in 2015. "Listeners who value a diverse, lyrical taste and a heavy dollop of classic blues music enjoyed Find a Way to Care, an album that fulfilled on every level." (Blues Rock Review), and A Special Life released in 2014. "I'd easily put this one among Mayall's best efforts - and that includes 'Bluesbreakers with Eric Clapton,' 'A Hard Road' and 'Blues from Laurel Canyon!'" (about.com)

In April 2015, John and Forty Below thrilled the blues world with the release of the historical Bluesbreakers album, Live In 1967, featuring the three original members of Fleetwood Mac: Peter Green, John McVie and Mick Fleetwood. "Sunken treasure doesn't get much better" (Classic Rock Magazine). Live in 1967 - Volume Two followed in 2016 and was hailed as a "welcome second helping" by Rolling Stone, and "essential listening" by Blues Music Magazine.

John Mayall was born on the 29th of November 1933 and grew up in a village not too far from Manchester, England. It was here as a teenager that he first became attracted to the jazz and blues 78s in his father's record collection. Initially it was all about guitarists such as Big Bill Broonzy, Brownie McGhee, Josh White and Leadbelly. However once he heard the sounds of boogie woogie piano giants Albert Ammons, Pete Johnson and Meade Lux Lewis, his desire to play in that style was all he could think of. At the age of 14, when he went to Manchester's Junior School of Art, he had access to a piano for the first time and he began to learn the basics of this exciting music. He also found time to continue learning the guitar and, a couple of years later, the harmonica, inspired by Sonny Terry, Sonny Boy Williamson and Little Walter.

After his two years at art school, he joined the art department of a major department store while starting to build up his own record collection that was to be his source of inspiration. At age eighteen, when he was due for National Service, he spent three years in the Royal Engineers as an office clerk in the south of England and in Korea all the time playing whenever he got a chance. As no one seemed to be interested in this type of music, John felt pretty much of an outsider throughout his twenties up until 1962 when the news broke in the British music magazine Melody Maker that Alexis Korner and Cyril Davies had opened a club in Ealing devoted to blues music. After Britain's ten year traditional jazz boom had about run its course, a new generation was ready for something new. Out came the amplifiers, guitars and harmonicas and out came young enthusiasts from all over the country eager to form their own groups.

This was all the encouragement thirty-year old John needed and, giving up his graphic design job, he moved from Manchester to London and began putting musicians together under the banner of the Bluesbreakers. Although things were rough at first, the music quickly took off thanks to the popularity of the Rolling Stones, Georgie Fame, Manfred Mann, The Animals and Spencer Davis with a young Steve Winwood. John also backed blues greats, John Lee Hooker, T-Bone Walker, Eddie Boyd and Sonny Boy Williamson on their first English club tours.

After a couple of years and many personnel changes, Eric Clapton quit the Yardbirds and John quickly offered him the job as his new guitarist. Although John had previously released a couple of singles and a live LP for Decca, the now classic collaboration between Eric and John resulted in the all-time best-selling classic album, John Mayall's Bluesbreakers featuring Eric Clapton. However, by the time it was entering the charts, Clapton and bassist Jack Bruce had left to form Cream. So began a succession of future stars who would define their roots under John's leadership before leaving to form their own groups. Peter Green, John McVie and Mick Fleetwood became Fleetwood Mac. Andy Fraser formed Free, and Mick Taylor joined the Rolling Stones.

In 1969, with his popularity blossoming in the USA, John caused somewhat of a stir with the release of a drummer-less acoustic live album entitled The Turning Point, from which his song, "Room To Move" was destined to become a rock classic. Attracted by the West Coast climate and culture, John then made his permanent move from England to Laurel Canyon in Los Angeles and began forming bands with American musicians. Throughout the '70s, John became further revered for his many jazz/rock/blues innovations featuring such notable performers as Blue Mitchell, Red Holloway, Larry Taylor, and Harvey Mandel.

In 1982, motivated by nostalgia and fond memories, John decided to re-form the original Bluesbreakers. Mick Fleetwood was unavailable at the time so John hired drummer Colin Allen to join with John McVie and Mick Taylor for a couple of tours and a video concert film entitled Blues Alive. Featured greats were Albert King, Buddy Guy, Junior Wells and Etta James. By the time Mick and John had returned to their respective careers, public reaction had convinced Mayall that he should honor his driving blues roots. In Los Angeles, he selected his choices for a new incarnation of the Bluesbreakers. Officially launched in 1984, it included future stars in their own right, guitarists Coco Montoya and Walter Trout.

Throughout the '80s and '90s, John's popularity went from strength to strength with a succession of dynamic albums such as Behind The Iron Curtain, Chicago Line, A Sense of Place, and the Grammy-nominated Wake Up Call that featured guest artists Buddy Guy, Mavis Staples, Albert Collins and Mick Taylor.

In 1993, Texas guitarist Buddy Whittington joined the Bluesbreakers and, for the next ten years, energized the band with his unique and fiery ideas. Making his recording debut on Mayall's Spinning Coin album, he proved to be more than equal to following in the footsteps of his illustrious predecessors. Other modern classics followed; Blues For the Lost Days and Padlock On The Blues, the latter featuring a rare collaboration with his close friend, John Lee Hooker. On Along For The Ride, Mayall re-teamed with a number of his former mates, including Peter Green, Mick Taylor, Mick Fleetwood and John McVie, as well as ZZ Top's Billy Gibbons, Steve Miller, Billy Preston, Steve Cropper, Otis Rush, Gary Moore and Jeff Healey. The younger generation was well represented by teenage guitar sensations Shannon Curfman and Jonny Lang. In 2002, Stories debuted the Billboard blues charts at #1.

At a 70th Birthday celebration in aid of UNICEF in Liverpool a concert was filmed, recorded and released as a DVD and double CD in December 2003. Along with the Bluesbreakers, it featured old friends Eric Clapton, Mick Taylor and Chris Barber. The BBC also aired an hour-long documentary on John's life and career entitled The Godfather of British Blues to coincide with the release of Road Dogs. In 2005, John was awarded an OBE on The Queen's Honours list. In the Spring of 2007, John Mayall's 56th album release, In The Palace Of The King, was an entire studio album that honored and paid tribute to the music of Mayall's long-time hero of the blues, Freddie King. All garnered great reviews, critical and popular acclaim and represented Mayall's ongoing mastery of the Blues and his continuing importance in contemporary music.

In addition, over the last ten years, Mayall released live recordings on his own online label, Private Stash Records. (Some still available from his website johnmayall.com.) They included Time Capsule (containing historic 1957-62 live tapes), UK Tour 2K, (from a 2000 British tour), Boogie Woogie Man, (a selection of solo performances), Cookin' Down Under, (a live DVD from Australia) and No Days Off, (another British live show) and a 3 volume CD set of live performances covering the years 1970 to 1998 entitled Historic Live Shows.

In October 2008, John made the decision to permanently retire the name "Bluesbreakers" and move on to make a brand new start. It was a sad occasion to say farewell to Buddy and the guys after twenty years of great music and camaraderie but things had reached another turning point. This caused quite a stir in blues circles and led to rumors about total retirement. Happily for the fans, early in 2009 Eagle Records called upon John to come up with a new album. Feeling much revived after a couple of months off the road, he put together a new band for the project.

A few years ago, Buddy Whittington had introduced John to a fellow Texas guitarist, Rocky Athas and he recalled how impressed he'd been at the time. Luckily he answered John's call and was eager to come on board for the proposed album. With the need for a rhythm section of dynamic strength, John turned to bassist Greg Rzab who recommended his fellow Chicagoan Jay Davenport on drums. Finally, the three guys were put together with keyboardist Tom Canning and within two days of meeting up in Los Angeles, the album Tough was in the can. It had taken all of three days in the studio and ever since its release, and a growing schedule of world tours, a new era was born. Soon after its release Tom left to pursue other projects.

A leaner four piece line-up gave John more room to stretch out as an instrumentalist and the band's chemistry hit new heights. For the next seven years, John and the band continued to tour extensively throughout the world, and racked up their usual target of over a hundred shows per year. In 2010 a concert in London was filmed, and Live in London was released as a double CD and DVD through Private Stash.

After being invited to do a guest spot on Walter Trout's latest album, John met engineer/producer Eric Corne. John was so impressed that he asked Eric to record his new album A Special Life. Greg, Jay and Rocky flew in for the sessions which took less than a week to record and the end result was one of John's best albums ever, with it's deep devotion to blues and roots music. The album was released in 2014 to rave reviews, followed by an extensive tour of North America, Europe, and The UK to celebrate John's 80th birthday Find A Way To Care followed in 2015 and was equally well received.

Early in 2016 the co-producing team of John Mayall and Eric Corne assembled at the House of Blues studio in Los Angeles to record the new album Talk About That. This time around John wrote most of the songs that cover a wide range of exciting new material and are enhanced by some rock solid horn arrangements. The album with special guest Joe Walsh was released in January 2017.

2016 brought yet another change in the evolving Mayall history when serious Texas thunderstorms prevented Rocky Athas from making a festival date and John, Greg and Jay were compelled to perform as a trio. As fate would have it, the sound they came up with lent an amazing new slant to John's music and subsequently led him to explore the possibilities of making music as a trio. Unfortunately, this would mean a guitarist would now not be required as John was heading in a new direction. A sad parting of the ways, but Rocky has been supportive of John's decision. For information on what's happening next for him please check his website at: www.rockyathas.com.

So with a very full calendar of touring booked from coast to coast and all over the world, the John Mayall saga continues with his music as vital as it has ever been.

"Thousands of people have sent me their personal messages sharing their journeys, struggles, pains, joys, challenges and inspirations. I'm very humbled that the songs have touched people, each in their own way. All of you have become my teachers and inspiration."

"My great love is sharing with an audience my own folk songs and ballads mixed with raw rock, stripped down country and blues -- you can call it Americana but it is just continuing on the road started by the Allman Brothers..."

"Growing up our house was full of music. Bob Dylan, Jerry Jeff Walker, and Kris Kristofferson were big early influences on me as songwriters. I started to write songs in college and it has become an essential part of who I am. My earliest interaction with the music industry was an Atlantic Records A&R exec taking an interest in a song I had written called "Bye Bye Baby" about a young model who went out to LA and ended up dead. They wanted to send me to Nashville to record with producer Garry Tallent (E-Street Band) and I started the process of showcasing for Atlantic in New York City where I lived at the time.

My path changed after I met a mystic in Central Park and I started a journey that led me to meet my wife and start a family. Along the way always performing and the songs have continued to come down to me - starting with a lyric and sometimes as a melody. Every morning I carve out time to sit alone with the guitar and get into the flow - it keeps me going and makes it possible to cope with the painful struggle of this world and to be able to spread joy."

"As a young songwriter and guitar player, I loved Neil Young with his super sensitive acoustic and singing just suddenly firing it up with searing guitar. I first heard Stevie Ray Vaughn live at 14 and my father also took me to hear Santana live - those were life-changing experiences - seeing masters who performed on a level of prayer through music on stage. That set my mind and heart on playing music for life."

In 2015, Lots of Love Records put out Lazer Lloyd's first major international release of new material, a self-titled album that introduced Lloyd's songwriting and unique sound became one of the top blues rock records that year getting widespread critical acclaim with "Burning Thunder" reaching number one on the blues rock chart.

Lazer's second major international release "Freedom's Child" was dropped in September 2017 including 12 new tracks: 11 originals plus Lazer's take on Dylan and Hendrix's "All Along the Watchtower" recorded with Grammy nominated producer & engineer David Ivory at his studio near Philadelphia. The album shot up the Americana charts as awareness of Lloyd's music grew into an expanded fan base of roots music lovers.

Canadian music sage John Kereiff wrote, "Critics have noted Lloyd's skill as a lyricist, saying he is 'able to elevate life's joys and struggles into inspirational material'. Couple that with supple musicianship, and that makes "Freedom's Child" one of the most compelling discs of 2017. Watch out, though - this one's gonna hit you right in the feels. Five Stars" John Kereiff (Gonzo Okanagan).

On tour in Connecticut in October of 2017, Lazer stopped off at Horizon Studios to record a few of his new songs with wizard of sound, Vic Steffens in West Haven. The result was several tracks including the Americana anthem "Backstreets" which was released as a single on Thanksgiving Day and went on to pass a million streams on Spotify, going viral on Facebook and Youtube as well.

As "Freedom's Child" was shooting up the Americana chart and "Backstreets" was going viral, Lazer was already on to the next project - recording an album with Eric Paul (Willie Nelson, Townes Van Zandt, Emmylou Harris, Kris Kristofferson etc) at Ricky Skaggs Studio in Nashville featuring (Michael Rojas on keyboards, Michael Spriggs on rhythm guitar, Eddie Bayers on drums, and bass players Mark Fain and Eli Beaird). The brilliant band created by Eric and led by Lazer Lloyd produced music that is sheer heaven. To complete the album, Lazer found inspiration in the red dirt of Oklahoma and Texas working with many times Grammy nominated Chris Bell (Don Henley, Eagles, Erykah Badu, Luther Dickinson, Eric Johnson etc) at Billy Crockett's Blue Rock Studios in Wimberley with a group of young Tulsa musicians. The sound achieved by Chris is warm and real and soul transforming. Music from both the Nashville and Blue Rock Red Dirt sessions will be presented on two albums in 2019 on Lots of Love Records.

The Georgia Satellites were one of the most ferocious bands of the 80's. What set them apart from the other 100,000 bands who cranked their amps up to eleven was that their wild riffs and tanked up cries came from a band who, from the start, understood it's place in the rock tradition and fought hard to solidify it with each recording.

The story starts in the early 80's at Hedgen's, a "country club for the spiritually impoverished and emotionally destitute" as chief songwriter Dan Baird would later identify it. Bassist Keith Christopher, drummer Mauro Magellan and guitarists Dan Baird and Rick Richards were all playing on the Atlanta circuit in various bar bands such as The Hellhounds, The Brains and The Woodpeckers. These bands would gradually morph into the original Georgia Satellites, who signed to same the same management company as country-rock pioneers, Jason & The Scorchers, more of whom later.

#1 fan and road manager Kevin Jennings, sold an EP of early Satellites records to an independent UK record label, Making Waves, who released them as the Keep The Faith ep. The ep provoked an extraordinary response from the UK music press, which, in turn, woke up the previously indifferent US music industry. Elektra records quickly signed them and their first single, Keep Your Hands To Yourself, became a runaway hit. It reached #2 on the singles chart and their eponymous debut album reached the same position on the album charts. Both album and single only being kept off their respective #1 slots by Bon Jovi's Slippery When Wet and Livin' On A Prayer. A second hit single, Battleship Chains consolidated their success.

Where the Satellites really earned their reputation though, was with their live shows. All those years of three sets a night, paid dividends laid waste to audiences across the States and particular, Europe, which took the band to it's collective heart, a love affair that continues to this day.

Two more Elekra LP's, Open All Night and the remarkable In The Land Of Salvation And Sin, plus a cover of The Singing Blue Jeans, Hippy Hippy Shake, on the Tom Cruise movie soundtrack, Cocktail followed, but by the early 90's, all those years of incessant touring had taken their toll and the band split. Dan Baird went on to a successful solo career with Rick Rubin's Def American, scoring major hits with the album Love Songs From The Hearing Impaired and the single I Love You Period. A second LP, the critically acclaimed Buffalo Nickel followed and Dan also developed as a career as a highly sought after producer.

The rhythm section on both solo albums were Keith Christopher (bass) and former Georgia Satellites drummer Mauro Magellan, the duo responsible for a large part of Dan's trademark sound.

Jump to 2007 and the band was completed by Jason And The Scorchers founder member and guitarist extraordinaire, Warner E. Hodges. The quartet released their debut album in 2008, championed by Alan Jones (Uncut), Scott Rowley (Classic Rock) and Bob Harris.

The band appeared at the Sweden Rock festival in 2009 and Hard Rock Hell in 2011 and 2012. In 2012 they headlined the prestigious Kilkenny Festival in Ireland. They have established an annual series of concerts in London that attract fans from all around the world.

In 2013, Circus Life, the long awaited follow up to the debut album, was released and attracted great reviews across Europe. The album was also their first CD to get a full USA release and their first album to album to appear as a vinyl release.

2014 saw long term bassist Keith Christopher replaced by ex Bonafide man Micke Nilsson as their touring schedule stepped up, seeing shows in Sweden, Denmark, Norway, Spain, Switzerland, Germany, Netherlands, Ireland, UK and USA. The last night of the 2014 tour will see the band play their first ever acoustic show before a sold out London audience.

Squirrel Nut Zippers had the good fortune to make it to the big leagues at the same time the swing revival of the 1990s crested. Although the group's roots stretched far beyond the Rat Pack -- they were informed by New Orleans jazz, hot dance music, Harlem jazz, and other jumping music of prewar America -- they nevertheless benefited from the lounge revival, which helped lift their 1996 album, Hot, and its accompanying single, "Hell," into the Billboard charts. Squirrel Nut Zippers kept touring into the early 2000s, after which they went on hiatus. Leader Jimbo Mathus revived the group in 2008 for a live album but it wasn't until 2018 that the group released a new album, Beasts of Burgundy.

Jimbo Mathus (vocals, guitar, trombone) and Katharine Whalen (vocals, banjo) formed Squirrel Nut Zippers in 1993 in the Chapel Hill area of North Carolina. Settling in the nearby small town of Efland, the couple renovated a farmhouse, where they pursued various arts and crafts, and eventually the band fell into shape as Mathus and Whalen met local citizens like Don Raleigh (bass) and Ken Mosher (guitar, saxophone, vocals) who shared an interest in hot jazz. Before long, Chris Phillips (drums, percussion), Tom Maxwell (vocals, guitar, baritone saxophone, clarinet), and Je Widenhouse (trumpet) were added to the band, which was now named after an old-fashioned candy bar, Squirrel Nut Zippers. The group soon made its live debut in Chapel Hill and within a few months had developed a large fan base throughout the South.

The Inevitable Squirrel Nut Zippers By the end of 1994, Squirrel Nut Zippers had signed with Mammoth Records, and they released their debut album, The Inevitable, in the spring of 1995. Supporting the album with a tour, the group made some waves but it was their second album, Hot, that provided SQZ with a breakthrough. Released in June 1996, Hot gained momentum in early 1997 after "Hell" became a hit on such influential radio stations as Los Angeles' KROQ. Shortly afterward, MTV made the video into a buzz clip. By the spring, "Hell" and Hot had become hits, with the single earning heavy play on modern rock stations. Hot climbed to 27 on the Billboard charts and was certified gold in May; after its summer single "Put a Lid on It," it was certified platinum at the end of the year. Also in 1997, Squirrel Nut Zippers released the Sold Out EP.

Perennial FavoritesPerennial Favorites, the full-length sequel to Hot, followed in August 1998 -- it peaked at 18 on the Billboard Top 200 and was certified gold the month after its release -- with Christmas Caravan appearing in October of that year.

Bedlam Ballroom Following 2000's Bedlam Ballroom -- a record that went no further than 195 on Billboard's Top 200 -- Squirrel Nut Zippers entered an extended hiatus. Mathus and Whalen divorced, with each singer pursuing their own solo musical projects, while Chris Phillips played with the Dickies and formed a band called the Lamps. In 2007, Squirrel Nut Zippers reunited with a lineup featuring Mathus, Whalen, Phillips, Stuart Cole, Will Dawson, and Je Widenhouse for a tour that extended into 2008; the 2009 album Lost at Sea was taken from a December 2008 date in Brooklyn.

Another hiatus followed, with Mathus assembling a new version of the band to celebrate the 20th anniversary of Hot in 2016; he was the only original member, although Phillips did serve as the group's manager. Happy with the new roster, Mathus and Phillips took the band into the studio to cut a new album. The resulting Beasts of Burgundy appeared in March 2018.

Stephane Wrembel is quite simply one of the finest guitar players in the world. The breadth and range of his playing and compositions are unmatched. To say that Wrembel-- who learned his craft among the Gypsies at campsites in the French countryside-- has already had a remarkable career would be an under-statement. This prolific, virtuoso guitarist from France has been releasing a steady stream of music since 2006 and has truly made his mark as one of the most original guitar voices in contemporary music.

The New York Observer said, "Stephane Wrembel represents the living face of Gypsy jazz." Rolling Stone Magazine has called him "a revelation".

Since last January, The Stephane Wrembel Band has been promoting two new recordings on Water Is Life Records, The Django Experiment I and II. Both albums primarily feature The Stephane Wrembel Band's own interpretation of the songs of legendary jazz guitarist Django Reinhardt, as well as Wrembel's original compositions, and those of other writers of the same vein of music. The Django Experiment I and II were released in conjunction with the Wrembel-produced Django A Gogo concert held at Carnegie Hall on March 3, 2017. The event received rave reviews and included guitar masters Al Di Meola, Larry Keel, Stochelo Rosenberg and other gifted musicians all celebrating the music of Django Reinhardt. The Stephane Wrembel Band will release The Django Experiment III on January 23, 2018.

Stephane Wrembel is widely known for "Bistro Fada", the theme song from the 2011 Woody Allen Oscar winning film, Midnight In Paris. Subsequently, Wrembel was hand-selected by award winning composer/producer Hans Zimmer to perform at the 2012 Academy Awards® as part of his "All Star Band." Then, Midnight in Paris won a Grammy Award for "Best Compilation Soundtrack for Visual Media".

He has toured around the world, and is very active on the musical scene in many countries including USA, Canada, France, Israel and India. Recently, Stephane has performed as a headliner at the legendary Carnegie Hall in New York and at the Festival Django Reinhardt in France. Wrembel has also headlined at Lincoln Center, played major festivals, recorded with mandolin legend David Grisman, toured with master violinist Mark O'Connor and shared stages with everyone from Elvis Costello to Patti Smith to The Roots. The Gitane guitar company has even named a model after him. To say that Stephane Wrembel-- who learned his craft among the Gypsies at campsites in the French countryside-- has already had a remarkable career would be an under-statement. This virtuoso guitarist from France has truly just begun to make his mark as one of the most original guitar voices in contemporary music.

The Stephane Wrembel Band includes long-time collaborators Thor Jensen (guitar), Ari Folman Cohen (bass), and Nick Anderson (drums).

It is a true, and nowadays rare, musician who writes lyrics so vulnerable and authentic that an audience is irrevocably captured by the powerful experience of sharing the journey. An album that is essentially an autobiographical account of personal mistakes, change, and growth, offers listeners a chance to reflect on their own experiences and connect with another's story.

With Griffin House's upcoming album, So On And So Forth, it is clear the artist digs deep and offers up his narrative after much reflection. House is now a young family man and artist who is choosing sobriety and celebrating the path to his success, through songs which share his perspective on how people remember the past with rose-colored glasses, how we grow up and realize what we deeply need, and how we must find happiness in ourselves in the present.

"The record has a lot to do with recognizing the ego in one's self and letting it die. It can feel like your whole identity is being wiped away, and you don't even know who you are anymore. For the person singing these songs, holding on to one's own individuality in order to remain special or important in the world has started to became far less important than being content with being a good, decent, and loving person. But old habits die hard," adds House.

The project was tracked last summer at Lakehouse Recording Studios, in Asbury Park, New Jersey. House's ties to Asbury Park go all the back to 2004, when he was invited to tour with Patti Scialfa. His first show in the boardwalk town was opening a show for Scialfa at the Paramount Theatre. It was there that Griffin met her husband, Bruce Springsteen, and all the wonderful characters in their crew and band. Those memories and experiences made returning to Asbury Park over a decade later to record So On And So Forth feel like a full circle moment in his career.

House recorded the essentially live project with no click track and very little overdubbing. Lakehouse owner, Jon Leidersdorff, helped assemble the band. Prior to walking into the studio, House had never met the musicians and had no idea how the songs would turn out. He adds, "The experience ended up being one of the most fun and positive of my career. The process was stress-free and freeing." The resulting album reflects this journey -- a leap of faith with triumphant results.

Recording and performing for over a decade, House has toured with Ron Sexsmith, Patti Scialfa, Josh Ritter, John Mellencamp, Mat Kearney, and The Cranberries. He received early critical acclaim on the CBS Sunday Morning, and his songs have since been featured in countless films and television shows such as One Tree Hill, Army Wives, and Brothers and Sisters. He has also appeared on Late Night with Craig Ferguson. Most recently, CNN Newsroom invited House to perform "Paris Calling," from So On and So Forth, live on the air, and the song has been picked up by radio prior to being serviced. House has released ten albums and continues to headline his own national tours. He lives in Nashville, Tennessee with his wife Jane and their two daughters.

Doug Stone, a contemporary country star, found his mark in music as a lonesome baritone balladeer, although he was very adept at hard-up-tempo country. Doug began at age five learning guitar from his mother an avid singer and guitarist. At age seven he was given the opportunity, by his mother, to open for Loretta Lynn. Life presented Doug a drastic change with the divorce of his mother and father. Doug, as result, moved in with his dad. As his youthful years past, Doug played at skating rinks, local bars or any money making project to help his father make ends meet. In the daytime Doug worked as a mechanic, something else that came to him naturally.

Doug had already past the age of 30 when a Nashville manager paired him up with Epic, his first record label. He debuted in 1990 with the single, "I'd Be Better Off (In a Pine Box)," the first release from his 1990 self-titled debuted album "Doug Stone" for Epic records. This album produced a handful of chart-topping singles. Following these songs was his first number one, "In a Different Light". In addition, the single was nominated for a Grammy Award for Best Country Song. Both this album and its successor, 1991's I Thought It Was You, earned a platinum certification from The Recording Industry Association of America for U.S. shipments of one million copies. Two more albums for Epic, 1992's From The Heart and 1994's More Love, were each certified gold. Stone has charted --twenty-two singles on Hot Country Songs, with his greatest chart success coming between 1990 and 1995. In this time span, he charted eight Number Ones including: "In a Different Light", "A Jukebox and a Country Song", "Too Busy Being in Love", "Addicted to a Dollar, and "Why Didn't I think of That" to name a few, plus fifteen more Top Five singles.

In early 1992, Stone found that one of the arteries in his heart was almost entirely blocked. He underwent quadruple bypass surgery and took time off to recover, just as his third album, "From the Heart," was released. With a gold certification for shipments of 500,000 copies, "From the Heart" included two Number Ones among its four singles: "Too Busy Being in Love" and "Why Didn't I Think of That." The other two singles were "Warning Labels" and "Made for Lovin' You," at No. 4 and No.6 respectively. One month later Stone released an album titled "The First Christmas."

In June 1994 Stone discovered that he was having breathing problems, which were affecting his singing. Doctors at Vanderbilt University's medical center failed to find any problems in his throat. A second consultation revealed a lump in his nostril but amazingly it was not cancerous. While Stone was undergoing treatment, his Greatest Hits, Vol.1 compilation was released in late 1994.This album included the new song "Little Houses, "which debuted on the charts in October 1994 and peaked at No. 7 in early 1995.

Stone made his acting debut in the 1995 film "Gordy." "Gordy," a heartwarming story featured Doug as Luke McAllister, a struggling musician. Gordy paved the way for stone's acting career and as well featured several of his songs. In 2011 Doug moved on to another movie role, "When the Storm God Rides," a Thomas E. Kelly film.

Always the adventurer, in 2000 Doug suffered a broken ankle and a cracked rib after crashing his ultra light plane in Robertson County, TN. An experience that would put him back in the studio recording the self-inspired single "Caught Dead Living", based off of Doug's "larger than life personality", and love for living life to it's fullest.

In April 2012 Doug Stone and Dr. Gerald Murray of Muscle Shoals, Alabama signed a management contract. Murray is the former manager of George Jones and the late Vern Gosdin. In 2014 Doug released the album "Doug Stone 'The Demo's': 20 Years of Life".

Now- 28 years, 8 #1 singles, 15 Top 5 singles, and millions and millions of album sales later- the singer of timeless country hits like "A Jukebox with a Country Song" and "In a different Light" is still running the roads hard performing to dedicated fans all across the nation. With a new record slated for release in the Fall of 2018, Doug Stone continues to produce pure country gold.

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Trashcan Sinatras were formed in 1987 in the coastal town of Irvine, Scotland, by John Douglas, Paul Livingston, David Hughes, Stephen Douglas and Francis Reader. Quickly signed to esteemed British indie label Go!Discs, the group used its label advance to set up their own recording studio, Shabby Road, in nearby Kilmarnock, where they settled in to create three critically- acclaimed albums.

The first of these, Cake, was released in the summer of 1990 and featured debut single "Obscurity Knocks" and its follow-up "Only Tongue Can Tell", both of which became alternative radio hits in the USA, and introduced the group to what has become a loving and loyal fan base around the world. Their beloved second album, I've Seen Everything, came along in 1993, preceded by the lauded single "Hayfever." The group's next album, 1996's self-produced A Happy Pocket, featured four singles, including the band's much-loved cover of "To Sir, With Love".

After leaving Go! Discs in 1998, the group kept a low profile until the release of their fourth album, Weightlifting, in the autumn of 2004. Extensive touring in support of that album followed, with shows in the UK, Europe, USA, Japan and Australia. In winter 2007/2008, they record a fifth studio album, In the Music, at Stratosphere Sound in Manhattan and on Martha's Vineyard. The group celebrated the album's release in 2009 with concerts and promotional appearances over the next two years in the United States, Japan and the United Kingdom. It was during the In the Music tours that the band began playing "house parties" for fans, which have since become a staple of their touring schedule.

In early 2015, the group set up camp with producer Mike Mogis (Bright Eyes, Justin Townes Earle, First Aid Kit, Rilo Kiley) at his ARC Studios in Omaha, Nebraska to record their sixth LP. Released in April 2016, the album, Wild Pendulum, received a warm welcome from music critics and fans. The A.V. Club said "Wild Pendulum is lovingly crafted, with layers in all the right places," while Allmusic exclaimed the album is "quite likely the best sophisticated guitar pop album anyone is likely to hear in 2016." The band returned to the road for the first time in five years, supporting the release with concerts in the United States, Scotland, England, Ireland and Japan.

Paul, John and Francis hit the road as a three-piece unit in September 2017 for a six week acoustic tour of North America, playing nearly all of the 100+ songs they had written together over the last 30 years. The tour included sold-out shows in New York City and Los Angeles, amongst others, and was capped off with a second sell-out in Los Angeles, where the group filmed the show for a live CD/DVD, All Night In America (released in October 2018).

Trashcan Sinatras toured again in 2018, in both their acoustic and full-band configurations. A 30 date North American acoustic "One Night, Two Albums" tour, where they played Cake and I've Seen Everything in their entirety, was followed by a full-band supporting slot in the UK with Del Amitri, as well as their own headline shows in the UK and elsewhere.

In 2019, the band is beginning the creative process for a new album, while its acoustic lineup reprises the "One Night, Two Albums" tour concept. Spanning North America for six weeks in the Fall, the band will play both A Happy Pocket and Weightlifting (celebrating its 15 year anniversary) in their entirety.

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