Upcoming Shows

Bad Bad Hats, Six Foot Blonde

TodaySeptember 7, 20248:00pm $25.00

William Prince, Wyatt C. Louis

TomorrowSeptember 8, 20248:00pm $20.00

Guided by a practical yet profound gratitude, William Prince's songs convey the power of wonder and humility. A masterclass in skillful simplicity, Prince's songwriting is grounded in a balance between the personal and the universal, his own moments of self-discovery and the larger questions we face together. Prince offers....

Tannahill Weavers

TuesdaySeptember 10, 20247:30pm $25.00

Born of a session in Paisley, Scotland, and named for the town's historic weaving industry and local poet laureate Robert Tannahill, the Tannahill Weavers have made an international name for their special brand of Celtic music, blending the beauty of traditional melodies with the power of modern rhythms. As one of the....

Recently Added Shows

Telekinetic Yeti, Bonginator

WednesdaySeptember 25, 20248:00pm $20.00

Milwaukee Comedy Festival Official Kick Off

TuesdayOctober 1, 20247:30pm $20 advance / $25 door

The Milwaukee Comedy Festival is celebrating 19 years of laughs! Featuring top stand up comedy from across the country October 1-6, 2024. More than 20,000 people over the years have laughed with the Milwaukee Comedy Festival! Our alumni are from top movie and television appearances including Comedy Central, Netflix,....

The East Pointers

WednesdayOctober 23, 20248:00pm $20 advance / $25 door

Fans of The East Pointers have Koady Chaissonto thank for being the kinetic force behind the JUNO-Award winning indie-folk trio since the group formed in 2014. The dancefloor-shaking, electro-trad glorious combination of folk/pop has brought so much joy to audiences around the world. And now, even posthumously, Koady's....

The Velveteers

ThursdayOctober 24, 20247:00pm $15.00

The Velveteers, a primal rock trio from the mountains of Boulder, CO made up of singer/guitarist Demi Demitro and drummers Baby Pottersmith and Jonny Fig, will unveil their debut album Nightmare Daydream on October 8 via Easy Eye Sound. Produced by Grammy Award-winning artist Dan Auerbach, the record is the long-awaited....

Freakshow

TuesdayOctober 29, 20248:00pm $25.00

Freakshow burst onto the rock scene with a powerhouse debut album that united some of rock's most formidable talents. Formed by Ronnie Borchert, the frontman from San Francisco's Miss Crazy, the original lineup included Jeff LeBar of Cinderella, Frankie Banali of Quiet Riot, and Tony Franklin of The Firm. Borchert, known....

Pat McGee with Patrick McAloon

WednesdayOctober 30, 20248:00pm $20.00

Pat McGee has a passion for bringing wildly talented people together. Since the formation of the Pat McGee Band in 1995, McGee has sought out uniquely skilled musicians to compliment his songwriting. After relocating to Rhode Island from Virginia in the early 2000's Pat McGee added Patrick McAloon (backing vocals, guitar....

Brian Dunne

FridayNovember 8, 20248:00pm $20.00

Known for his laugh-to-keep-from-crying, darkly humorous lyrics, Brian Dunne's work reconfigures the limiting nature of the genre into something less cotton candy young love, more burn down the banks. This DIY ethos, born from a healthy New York cynicism self-conceptualized, funded, and dragged to every willing venue,....

Pullstring, Boiled in Lead, West Nile Crows

FridayNovember 15, 20248:00pm $12 advance / $15 door

Shannon McNally

SundayNovember 17, 20248:00pm $15.00

Grammy nominee Shannon McNally's live music career began on the jam band circuit of the 1990s with bands like Derek Trucks and Railroad Earth. Since then, her catalog has grown to span the whole of the Americana music spectrum, both writing original songs as well as interpreting the songs of others. She brings a....

Pat McCurdy

FridayNovember 29, 20248:00pm $8.00

Pat McCurdy is a singer/song writer from Wisconsin. He tours the mid-western part of the USA, his shows usually consisting of just him and his guitar. While the majority of his audience is made up of a college-age crowd, McCurdy manages to appeal to a large number of people of all ages with his interactive shows.....

The Hungry Williams

SaturdayNovember 30, 20248:00pm $15.00

Pat McCurdy

FridayDecember 20, 20248:00pm $8.00

No Can Do - A Tribute To The Music of Hall & Oates

SaturdayDecember 28, 20248:00pm $20.00

No Can Do is the passion project of Rich Hoffman, WAMI winning vocalist for Wisconsin band Almighty Vinyl and the original music band, SACRED. Rich's love for the timeless music of Daryl Hall & John Oates compelled him to seek like-minded, top-quality musicians from other well-established bands to recreate their music.....

Alternative Concert Group Presents

Daniel O'Donnell

WednesdaySeptember 18, 20247:00pm

Pabst Theater, Milwaukee, WI

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Hoodoo Gurus

ThursdaySeptember 19, 20247:30pm

At the Barrymore Theatre, Madison, WI.

Tickets on sale at barrymorelive.com or by phone at 608-241-8633 (Mon-Fri noon-5pm).

Daniel O'Donnell

ThursdaySeptember 19, 20247:00pm $45, $56.50, $67.50, $79

The Weidner, Green Bay, WI

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Daniel O'Donnell

FridaySeptember 20, 20247:00pm

The Grand Theater, Wausau, WI

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Billy Bragg

SundayOctober 6, 20247:30pm $50 | $75

At the Barrymore Theatre, Madison, WI.

Tickets on sale at barrymorelive.com or by phone at 608-241-8633 (Mon-Fri noon-5pm).

John Hiatt, Jim Hoehn

SundayOctober 13, 20247:30pm $55 | $75

At the Barrymore Theatre, Madison, WI.

Tickets on sale at barrymorelive.com or by phone at 608-241-8633 (Mon-Fri noon-5pm).

Rick Wakeman

SaturdayOctober 19, 20248:00pm

At South Milwaukee Performing Arts Center, Milwaukee, WI.

Tickets on sale online, at the South Milwaukee Performing Arts Center box office or by phone at 414-766-5049.

Gregorian: Pure Chants

FridayNovember 22, 20247:00pm

At Coronado Theatre, Rockford, IL.

Tickets on sale at here.

Gregorian: Pure Chants

SaturdayNovember 23, 20248:00pm $45 / $55 / $150

At the Barrymore Theatre, Madison, WI.

Tickets on sale at barrymorelive.com or by phone at 608-241-8633 (Mon-Fri noon-5pm).

Jesse Cook

WednesdayApril 30, 20257:30pm $35 | $50

At the Barrymore Theatre, Madison, WI.

Tickets on sale at barrymorelive.com or by phone at 608-241-8633 (Mon-Fri noon-5pm).

Jesse Cook

ThursdayMay 1, 20257:30pm $49 | $76

At South Milwaukee Performing Arts Center, Milwaukee, WI.

Tickets on sale online, at the South Milwaukee Performing Arts Center box office or by phone at 414-766-5049.

Quick Calendar

The Minneapolis, Minnesota duo Bad Bad Hats are named after a little-known song from "Madeline," a beloved children's book series about a mischievous young girl and her yellow-clad classmates. Founded by singer/songwriter Kerry Alexander and guitarist Chris Hoge, the band traffics in similarly playful concepts and warm scenes of youth. Bad Bad Hats are celebrated for crispy, lived-in melodies, big choruses that stick for days, and an easy musicianship that carries across their eclectic, wide-ranging releases.

The band's lead singer Kerry Alexander grew up between Tampa, Florida and Birmingham, Alabama. As a child, she was a student of the glossy MTV pop that defined the early 2000s, as well as the David Bowie and Tom Petty CDs her parents would play while making dinner. Singer songwriters like Alanis Morissette, Kim Deal, and later, Michelle Branch, were an early inspiration for Kerry: after discovering songwriting as a profession while watching American Idol, the young teenaged Kerry began filling binders with songs, planning to one day write hit records for stars.

As her confidence grew, Kerry began testing her performance chops at open mic nights, and eventually began sharing demos on Myspace, where she first connected with Chris Hoge, a savvy guitarist and classmate at the small liberal arts school Macalester College. The pair's chemistry was undeniable, sharing common tastes in songwriting and sound, and they flourished creatively--and, soon, as a couple. They refined demos together and gigged around the Twin Cities, where they received consistently strong responses from friends who'd come to their shows. Soon, Kerry and Chris were assembling their first EP, "It Hurts," and catching the ear of local indie labels. After fleshing out the line up with bassist Noah Boswell, Bad Bad Hats was officially born.

"Psychic Reader," BBH's debut LP, arrived in 2015. Led by the ebullient single "Midway," the album highlighted the band's cinematic sound, punchy rhythm sections, and Kerry's heart-aching vocals. With "Psychic Reader," the band expanded their audience beyond local Twin Cities venues, as their music spread organically via college radio and shared links. New fans seemed to discover the music daily, their growth coincided with a renaissance in young bedroom musicians via streaming through the 2010s. With their follow up full length albums "Lightning Round" (2018) and "Walkman" (2021), Bad Bad Hats expanded their sound and look, with hilariously DIY music videos that cast the band as ice hockey players, Elvis impersonators, secret agents and more. In the years since their initial noodling around St. Paul, Bad Bad Hats have toured globally with peers like The Beths and Hippo Campus, and storied acts like The Front Bottoms and the aforementioned Michelle Branch, who picked them up for her 2022 headlining world tour. It was a full-circle moment for Kerry, one that she made clear on stage at each show.

Last January, Kerry, Chris, and longtime bandmate Con Davison cozied up under frigid winter in Chris and Kerry's Twin Cities home, writing and recording their latest, self-titled LP. Each day for two weeks, Kerry would make sandwiches for lunch (tuna salad on Tuesdays), and the crew would get to work in the basement home studio, stacked to the brim with gear. The group recorded more quickly than usual, and even incorporated a few songwriting prompts sent in directly from their fans as jumping-off points. Where BBH are typically known for big song topics like love and heartache, Kerry took to smaller ideas this go round--included are songs inspired by parking tickets, scorching Tampa grocery store lots she remembered from her youth, and other autobiographical scenes woven into dancefloor-ready numbers.

Today, Bad Bad Hats are back to their founding duo, and their upcoming record is the band's first time self-producing, with a freewheeling, pristine tone and several unexpectedly funky turns. The new album suggests a band still having deep fun creating and playing, inviting listeners new and old to live life to their heartfelt tunes. "Bad Bad Hats" will be available on April 12th, 2024 via Don Giovanni Records.

Michael McDermott burst onto the scene in his early 20s with his exceptional debut, 620 W. Surf and subsequently found himself touted as Rock's 'Next Big Thing'. MTV, Rolling Stone, The New York Times and even author, Stephen King added their appreciative nods and having the backing of Giant Records and prestigious producers like, Brian Koppelman and Don Gehman, seemed to go a long way towards assuring his success - overnight success.

The missteps and failures that followed, the collapse of an industry that once embraced him as its next sensation, are troubles and travails that either ruin a person completely, or they force a change of attitude and staunch determination to gather one's resolve to not only survive, but overcome. McDermott vowed to do both. Ten albums in, it's resulted in Willow Springs (Pauper Sky, June 17, 2016), one of the most honest, daring and defiant recordings of McDermott's career. Named for the small town where he now resides with his wife and young daughter, it reflects a certain circumspect about his life, the situations he's encountered, while realizing that ultimately, his fate resided in his own hands.

"This is an album of reckoning I suppose," McDermott reflects. "There was a real cacophony of change going on in my life at the time... being a new father, losing my own father, leaving the city for the country, dealing with sobriety, grief, death, mortality, shame and forgiveness. It was a veritable emotional tsunami and yet somehow I had to navigate through it all. That journey is reflected in these songs. Willow Springs is the name of the place where I took refuge and had to confront a lot of things".

Recorded at his home in the country and fan-funded, Willow Springs finds McDermott behind the boards as producer for the first time with longtime producer and collaborator, Lex Price doing the mix. Having enlisted a stellar support group of musicians -- including multi-instrumentalist, Price; guitarist, Will Kimbrough; keyboard player, John Deaderick ; sax player Rich Parenteau; and McDermott's wife, Heather Horton on backing vocals - McDermott found himself able to craft the unassuming yet cutting sound he envisioned.

Indeed, the results bear out the fact that Willow Springs is the most honest and expressive album of McDermott's extraordinary 25 year career. Songs such as, 'These Last Few Days', 'Getaway Car', 'Half Empty Kinda Guy', 'One Minus One' and the title track, convey all at once, a sound that's both reflective and confessional - borne by stark emotion and a tattered, battered delivery that's both sobering and sublime. McDermott remains more determined than ever, and Willow Springs is the result. "My enthusiasm is only matched by my desire to continue to evolve as an artist" he insists.

Accolades and kudos can be accumulated one minute and quickly dissipate the next. After all, the music biz is a fickle beast and it doesn't matter how much you pleased the masses last year, last month or even last week, but rather, about what you offer today.

Today, McDermott has offered his best.

Kudos to Michael McDermott - overnight success.

After the success of her critically-acclaimed 2021 release Daddy' s Country Gold, Melissa Carper, dubbed "HillBillie Holiday" by friend and collaborator Chris Scruggs, was eager to get back in the studio. With co-producers Andrija Tokic (St. Paul & The Broken Bones, Hurray For The Riff Raff) and Dennis Crouch (The Time Jumpers) behind the boards again at Tokic's analog paradise The Bomb Shelter in Nashville, Carper assembled that same crew of magical music makers -- plus a few more -- to embark on her newest effort, Ramblin' Soul, set for release November 18th via Thirty Tigers.

Carper's deep, old-timey music roots were firmly planted as a child, playing upright bass and singing in her family's traveling country band in rural Nebraska. Her love of country classics was cultivated as she laid beneath the console listening to her parents' record collection. Hank Williams, Patsy Cline, Loretta Lynn, Ray Charles, Elvis Presley, and more became the soundtrack of her youth. When Carper's father gifted her a collection of Jimmie Rodgers' recordings, she began to find her voice and calling as a songwriter.

Carper attended the University of Nebraska-Lincoln on a music scholarship, and spent much of her time in the music library, instinctively drawn to the great jazz classics and jazz vocalists such as Billie Holiday, Ella Fitzgerald, Frank Sinatra, and Nat King Cole. She also discovered Lead Belly, uncovering a deep well within when singing his songs. Carper stands firmly on the shoulders of American ramblers, crooners, and songsters -- the building blocks of her musical foundation.

After two years of college, wanderlust set in, and Carper hit the road in the family's 1980 Dodge Maxi Van, and landed in historic Eureka Springs, Arkansas. There, she was welcomed into the busking community, and found a new home base -- a place to write, reflect, and rejuvenate in years to come. As she belted out the lyrics to "Ramblin' Man" life began to imitate art. Carper put a few hundred thousand miles on her vans and pick-up trucks, playing the streets and clubs of New Orleans, Austin, and even a stint in NYC as a founding member of The Maybelles. Magnetically pulled into the cultural heritage wherever she went, she immersed herself in the music of those who sang on those same street corners, and off the beaten path in times gone by.

Along the way, she founded award-winning bands like power trio The Carper Family, the perfect outlet for her unique skills and style. The band brought her original work to life in a simple yet dynamic fashion that also served her inspirations -- country, bluegrass, western swing, and old-style jazz, playing festivals and shows across the globe, and on shows like "A Prairie Home Companion." Carper also holds a spot in award-winning Arkansas foursome Sad Daddy, and founded roots duo Buffalo Gals with Sad Daddy bandmate and partner, award-winning fiddler Rebecca Patek.

In 2020, grappling with the loss of regular gigs, Carper and Patek moved to a friend's farm near Austin, working in exchange for housing, organic vegetables, and fresh, country air. The simpler life afforded Carper the space and rejuvenation needed to channel her muse, and begin writing for her next album.

"I had a handful of songs about rambling around and living a free life that I wanted to weave through the album," Carper recalls. "I wrote the title track driving back home to Texas, and it felt like the seeds of the next album were planted. I also knew I wanted Ramblin' Soul to have a different feel than Daddy's Country Gold, with more upbeat and diverse styles and grooves."

Ramblin' Soul features a co-write with life long ramblin' buddy and bandmate Gina Gallina, a song penned by friend and frequent collaborator Brennen Leigh; a reimagined classic from folk pioneer Odetta; and ten Carper originals. The album ventures into blues, early rock and roll, and old school soul, along with Carper's signature styles of country, western swing, and jazz.

Album track "Ain't a Day Goes By" breaks your heart, then mends it again in the universal longing for a loved one now gone on. Backed up by Hammond B3 organ (John Pahmer), the emotion is punctuated by the gospel-style harmony stylings of Kyshona Armstrong, Nickie Conley, and Maureen Murphy. "1980 Dodge Van" heralds pulsing electric guitar and a grooving upright bass (Dennis Crouch) in an ode to the loyal family vehicle, while "I Don't Need to Cry" is a Patsy Cline-esque lament showcasing Carper's classic country range and songwriting finesse. The upbeat, tongue-in-cheek "Holding All The Cards" transports us to a smoky New Orleans speakeasy, with wordplay, honky tonk piano, and playful clarinet, while Carper pays an upbeat western swing tribute to her current home state in "Texas, Texas. Texas."

Carper's lifelong, steadfast listening has come to fruition in the songs on Ramblin' Soul. Her childhood love of the family record collection planted the seeds of what is her own bountiful orchard today.

Derrick "Duckie" Simpson the "Gong Gong Gullie" is the founder and leader for reggae's BLACK UHURU. Although going through numerous lead singers and musicians they have remained to be one of the most recognized and prolific reggae band for over 50 years.

The roots of BLACK UHURU were formed in Kingston Jamaica's Waterhouse district also known as "Firehouse" in the early 60′s. Though considered to be one of Jamaica's toughest neighborhoods it's home to several other reggae singers and musicians. It was where Duckie Simpson grew up and learned to sing from boyhood friends Winston "Pipe" Matthews and Lloyd "Bread" McDonald of Wailing Souls and Bob Marley. He recorded four tracks with Wailing Souls before forming his own group.

The original Uhuru's (Swahili for freedom) were Derrick "Duckie" Simpson, Euvin "Don Carlos" Spencer and Rudolph "Garth" Dennis. They only recorded a few singles "Folk Songs" "Time Is On Our Side" and "Slow Coach" before separating. Don went solo and Garth joined Wailing Souls.

Duckie reformed the group adding Michael Rose & Errol "Tarzan" Nelson, both from Waterhouse. They recorded their debut album "Love Crises" in 1977 at Prince Jammy's famous studio in Waterhouse on St. Lucia Road. It was later re-released as "Black Sounds Of Freedom". Errol later left to join The Jayes. He was soon replaced by American female singer & dancer Sandra "Puma" Jones. They teamed up with drummer Sly Dunbar and bass player Robbie Shakespeare. Together they developed a musical style full of deep bass thumps, loud drum slaps, sharp keyboards, long instrumentals with guitar riffs, whirly back round noises, echos and the signature"woh oh oh's" creating they're "classic" sound. Producing hits like "I Love King Sellassie, "'Shine Eye Gals", "General Penitentary" and "What is Life".

BLACK UHURU released the albums Red, Chill Out, Sensemila and Guess Who's Coming To Dinner and began to tour the world bringing them to international audiences. It was during this period they started to gain rapid popularity. They opened live shows for the Rolling Stones and the Police. They began to work with other well accomplished producers and musicians. Keith Richards played guitar for the "Shine Eye Gal" track. Dennis Brown "The Crown Prince of Reggae" produced the tracks "Rent Man" and Wood For My Fire". The track" Spongi Reggae" appeared on an episode of The Bill Cosby Show and "Party in Session" in the movie 1980′s North Shore. BLACK UHURU made reggae history when they won the first ever Grammy Award for reggae music in 1984 for the album Anthem Shortly after the grammy Michael Rose went solo.

Another Waterhouse resident named Delroy "Junior" Reid became the new lead singer. They released two albums Brutal and Positive. The Brutal album was nominated for a grammy. They filmed three music videos for the tracks "Fire City" "Brutal", and "Great Train Robbery", that track also played on a popular video game Grand Theft Auto. Sadly in 1990, due to ill health, Sanda "Puma" Jones passed away of cancer. Junior Reid shortly went solo.

Then the original three re-united. They released four albums Now, Iron Storm, Mystical Truth and Strong. Each album was nominated for grammy. They made an award winning music video for the track "Tip Of The Iceberg" featuring rap star Ice-T in 1992. Eventually splitting up again. Carlos & Dennis left again & Duckie stayed again. This time there was a lawsuit brought amongst the group over the band's legal rights in Los Angeles county court. Derrick Simpson won.

As the new millennium approached there came a new lead singer yet again from Waterhouse named Andrew "Bee's" Beckford. They released two albums. Unification was produced by King Jammy & Dynasty was produced by Fitzroy Francis & Duckie. They went on a worldwide tour featuring Sly and Robbie and had the famous producer Scientist as its road engineer. Andrew Bee's then went solo.

In 2007 Duckie & Michael Rose reunited after twenty years. They performed in Jamaica and did one international tour and released the single "Dollars". In 2011 Duckie reunited with Andrew Bee's after ten years. He added female backing vocalist Kaye Star and began touring again performing in South America & America.

BLACK UHURU recently performed in a Broadway Musical. The red carpeted event "Loving the Silent Tears: A New Msuical" premiered October 27th 2012 at the Shrine Auditorium in Los Angeles Ca. They were invited to represent reggae music and performed a new track "Make A Deal". And in Las Vegas Nevada BLACK UHURU was recently honored for its contribution to the entertainment industry. August 31st if now officially "Black Uhuru Day" in the city of Las Vegas.

BLACK UHURU's long success has allowed them to become ambassadors of reggae while earning several achievements in the music industry. With 14 full length albums, 7 instrumental dub albums, and 4 live albums they have the highest record sales in reggae music behind Bob Marley. The album Red was voted #23 for Rolling Stone's list of "100 Greatest Albums of the 1980′s. Aside from winning the first reggae grammy they have been nominated 5 more times. They are the only reggae group to have won the Diamond Awards of Excellence in 1994.

Despite all of BLACK UHURU's change of different singers and musicians the one thing that has always remained is Derrick "Duckie" Simpson. Much respect to a legendary figure for Reggae Music. In 2018, Black Uhuru released "As The World Turns" featuring Duckie on lead. In December 2018 "As The World Turns" was nominated for the 61ST Annual Grammy Awards.

Based out of Iowa, Telekinetic Yeti is a two-man band that delivers sonic brutality melded with psychedelic doom wizardry, forged by the worship of the almighty riff and honed by relentless touring and dedication to their craft.

Creating music as cryptically enchanting as it is heavy, you wouldn't guess that the impressive cacophony pouring out of the speakers like molten, metal syrup is being produced by only two people. Founder and guitarist Alex Baumann explains, "Originally I decided not to have a bass player purely for logistical reasons, it was just another schedule to work around, another person who's boss could tell us we can't tour, but then I started seeing it as a challenge, like let's see how heavy we can make it with just two people." That started grabbing peoples attention.

Relentless touring and playing pretty much any club that would have them, the band set sail on their epic voyage, selling their debut album Abominable out of their van and cutting their teeth in the underground playing hundreds of shows. All the while receiving rave reviews of their live performance as well as their first release, which landed at #2 on the doom charts and stayed right there for months. The Sludgelord called the eight-song album "a f***ing monster from start to finish," and The Obelisk, including the album in their year-end, best of list, dubbed it the "debut of the year," and said "it could have been another band's second or third record for the level of cohesion on display."

The video for "Stoned and Feathered" racked up nearly a few hundred thousand views and counting. It was at this time that Telekinetic Yeti caught the attention of Ozzy Osbourne bass player, Blasko, who named Abominable on his "5 favorites" list.

People were starting to catch on, and soon thereafter Telekinetic Yeti would be invited to tour extensively with some of the best heavy rock bands in the business, including Clutch, Black Label Society, Red Fang and Weedeater.

Now the band finds itself in a much different, auspicious position, and with the help of famed producer Phillip Cope (Baroness, Kylesa, Damad, Black Tusk et al), Telekinetic

Yeti returns with their eagerly-anticipated, second full-length album, Primordial. With this release, the band takes their game to a whole new level. Primordial explores themes as diverse as evolution, sorcery, black magic and the contradictions of the gloriously uplifting yet simultaneously melancholic human condition. " I wanted to write something that was an appropriate intro to the album, that brought to mind an early earth setting and featured atmospheric elements as well as some droning, sparse simplicity and lyrically, simple imagery regarding the dawn of humankind and creation of the first tools." Explains Baumann of the title track.

As it unfolds, the album evolves into a cathartic exploration turning themes into tangible sounds and haunting fugues. Says Baumann regarding the inspiration behind "Beast": "This song is about wanting to escape the societal constraints that keep us on the wheel, toiling away, indefinitely. Its also about questioning authority figures, or really anyone that claims to have all the answers."

Matured songwriting, creatively brutal riffs and an exercise in monstrous tones make this listen an immersive experience taking you back to explore and appreciate the primordial ooze that we all came from. Telekinetic Yeti has partnered with stalwart Indie label, Tee Pee Records.

Under The Rug, the Austin, Texas-based indie outfit, has crafted a unique, heart-on-sleeve musical journey over their decade-long career. Led by the dynamic trio of vocalist and guitarist Casey Dayan, alongside the deft musicianship of guitarist Sean Campbell and drummer Brendan McQueeney, the band seamlessly blends an eclectic mix of indie, folk, and Americana, all while remaining steadfast in their commitment to the art of storytelling.

Known for their DIY marketing efforts, the band has built a fierce and dedicated fan base through direct-to-fan handwritten letters and their membership service, The Secret Hideout. Their dedication to songwriting as a craft is evident, delivering earnest tracks that resonate with listeners worldwide. Whether performing at sold-out shows or writing on the go in their beat-up van, the band continues to resonate with fans, capturing both hearts and imaginations. Under The Rug has garnered cheers from American Songwriter, Rolling Stone India, Atwood Magazine, and even received a co-sign from The Mountain Goats' John Darnielle.

Building on the success of their acclaimed Junior LP, Homesick For Another World, and the viral sensation of their hit single, "Lonesome and Mad"--which topped Spotify's search charts in the US and continues to dominate virality playlists in numerous other countries--Under The Rug is set to sustain their momentum. The band eagerly anticipates their upcoming release, happiness is easy, and is preparing for their headlining US tour in support.

Under The Rug's upcoming release, happiness is easy, is a sprawling 2-part, 30-track exploration of the challenges of pursuing happiness, delivered with the band's signature irreverence, irony, and dark humor. Produced with the help of David Peters, and featuring co-writers like Sam Hollander (Panic! At the Disco, Fitz and the Tantrums) and Mason Jennings, the album blends poignant personal themes with universal questions on life and fulfillment.

With songs like lead single "mad girl's love song," an interpretation of Sylvia Plath's famed villanelle, title track "happiness is easy," and "i don't want to cry in my car anymore," each offering a tongue-in-cheek look into the headspace of lyricist Dayan, the album navigates topics such as self-discovery, authenticity, drug use, and loneliness, while providing moments of levity and insight. Dayan wrote happiness is easy as a reflection on coming to terms with identity and the pursuit of joy in a complicated world. "It's the least fictional thing I've written," she reveals. The album is filled with gentle arpeggios, evocative lyrics, and piercing guitar melodies that reveal the band's growth and commitment to authenticity. It's not just a meditation on personal struggles but also a search for meaning and connection in the modern age.

After 20 studio albums, 8 Juno Awards, 31 Maple Blues Awards and multi-platinum record sales, Colin James remains at the top of his game, continuing to challenge himself musically.

His upcoming release, Chasing the Sun, finds the blues-rock singer-songwriter's electrifying 21st studio album featuring the kind of towering musical guests typically found on the other side of velvet ropes. Co-produced by Colin Linden, guest artists include Americana icon Lucinda Williams, bassist Darryl Jones and drummer Charley Drayton (who have backed Miles Davis and The Rolling Stones) plus American harmonica ace Charlie Musselwhite and gospel greats Ann and Regina McCrary.

His 2021 release, Open Road, for which he won a 2022 Juno Award for best Blues Album and was nominated for the Blues Foundation 2023 best Blues Rock Album (his first), is a celebration of personal connections. It includes original tunes written with long time collaborators as well as reinterpretations of covers by a diverse group of songwriters.

His 2018 album Miles To Go garnered worldwide attention, debuting on the Billboard Blues Charts and held a position on the RMR Blues Chart for 24 weeks, 14 weeks in the top 10.

Colin's career is a timeline rich in highlights. His 1988 self-titled debut, featuring his two self- penned hits "Voodoo Thing" and "Five Long Years," was the fastest-selling album in Canadian history. It won him his first Juno and an opening spot on tour with Keith Richards. His second album, Sudden Stop, featured his hit "Just Came Back," which reached #3 on the U.S. radio charts and earned him the Juno Award for "Single of the Year." Colin was next credited with launching the swing revival, thanks to his wildly popular Little Big Band, which has released four successful albums to date. In 2013 he was inducted into the Canadian Music Industry Hall of Fame.

However, it wasn't until 2016's Blue Highways that James found himself on a blues chart: the album spent 10 weeks at No. 1 on the Roots Music Report's Blues Chart. It also landed him one of his biggest hits: "Riding in the Moonlight," a Willie Dixon song that garnered millions of streams on Spotify. Colin has often been put in the rock category because of his early pop hits, but if you really look at his past there's a lot of blues in there.

Over the years Colin has worked with some of the world's most revered artists including, Bonnie Raitt, Albert Collins, Pops Staples, Robert Cray, Albert King, Keith Richards, Mavis Staples, Luther Allison, Roomful of Blues, Bobby King and Terry Evans, John Hammond Jr., The Chieftains, Carlos Santana, Jeff Healey, and Buddy Guy.

For over 35 years, Colin has been a consummate professional, a superb guitarist, and a musician's musician. The confidence that comes with maturity can be heard in his voice and seen in his electrifying stage performance. He does what comes naturally -- he always has -- he knows no other way and no other life. As he approaches his 60th birthday, he still finds joy in making music and touring and loves what he does.

The ever metamorphosing entity that is Gong launches, as ever, into unknown -- and unknowing -- territory with a new album and tour, destined to be talked about, discussed, and argued over, up and down the land.

From its beginnings in a French commune in 1967, through the Virgin Records years, mismanagement, court cases, break-ups and rejoinings, deaths and rebirths -- there has always been a continuous thread of beautiful, dangerous and extraordinary music.

The current holders of the flame have come together over the last seven years; sinuous bass player Dave Sturt joined just as the album 2032 was shown to the world; Ian 'Eastwinds' East was the next to blow in through the portal; Fabio Golfetti brought his guitars from Brazil (after working with Daevid for many years); Kavus Torabi appeared to Daevid in a vision; Cheb Nettles just sort of turned up.

Gong's musically diverse world includes shades of psychedelia, space rock, jazz, avant-garde, krautrock and surreal soundscapes.

Signed-up members of the precariat, Gong have never played it safe.

Australian beatnik poet Daevid Allen (ex-Soft Machine) began making music with his partner Gilli Smyth in the late 1960s, along with a constantly evolving community of creative musicians. Albums from this period include Magick Brother, Mystic Sister (1969) and the influential Bananamoon (1971) -- one of David Bowie's favourite 20 albums.

A stable line-up of the band, now named Gong, eventually materialised featuring Didier Malherbe (sax and reeds), Christian Tritsch (bass), and Pip Pyle (drums), along with Allen (glissando guitar, vocals) and Smyth (space whisper, vocals). This band released the album Camembert Electrique in late 1971, as well as providing the soundtrack to the iconic biker film Continental Circus and music for the album Obsolete by French poet Dashiel Hedayat.

Gong's next three albums, released on Virgin Records, became known as the known as the Radio Gnome Trilogy, consisting of Flying Teapot (1973), Angel's Egg (1974), and You (1975). Over the course of the Trilogy, Tritsch and Pyle left and were replaced by Mike Howlett (bass) and Pierre Moerlen (drums). New members Steve Hillage (guitar) and Tim Blake (synthesizers) also joined.

After You, Allen, Hillage, Blake and Smyth left the group, guitarist Allan Holdsworth joined, and the band moved into a virtuosic jazz fusion style. Nevertheless the trilogy lineup reunited for a few one-off concerts including a 1977 French concert, documented on the Gong Est Mort, Vive Gong album. Allen also reunited with Malherbe and Pyle for 1992's Shapeshifter album and the Gong 25th Birthday Party in 1994.

A great gathering of the Gong family took place in Amsterdam at the Unconvention in 2006 featuring many previous members and related bands. This event reinvigorated the band, leading to the release of the album 2032 in 2009 and the subsequent tour saw the arrival of Dave Sturt (bass) and Ian East (saxophone).

In 2012, Daevid Allen also enlisted Fabio Golfetti (guitar) and Orlando Allen (drums) for a tour of Europe, UK, Japan and Brazil. By 2013 Kavus Torabi (guitar) had also joined the group and the line-up of Allen, Sturt, East, Golfetti, Allen and Torabi then recorded the album I See You (2014). That year, Daevid Allen was diagnosed with cancer and was unable to perform whilst undergoing treatment. Fulfilling his wishes, the band continued the Gong tradition without him and toured to promote the album, bringing in Cheb Nettles (drums).

In 2015, Daevid Allen passed away. His influence and legacy were honoured on the band's subsequent album, Rejoice! I'm Dead! (2016).

The band have continued to tour all around the UK and Europe since that time including visits to China, Japan, Brazil and The Cruise To The Edge in the Caribbean. They released the album The Universe Also Collapses, on Kscope music in May 2019.

Unending Ascending is the new studio album released on Kscope music in November 2023. The band is touring extensively in 2024.

A German heavy metal outfit founded and fronted by powerhouse vocalist , U.D.O. emerged in the late '80s after exited the popular power metal group . Beginning with 1987's Animal House, and a rotating cast of players carved out a huge swath of heavy metal real estate, averaging a full-length LP every year or so (2021's Game Over was the group's 17th full-length effort) and touring on the strength of an impressive catalog of European power metal that also included classics like "Balls to the Wall" and "Fast as a Shark."

Following his departure from in 1987, formed U.D.O. with guitarists Peter Szigeti and Mathias Dieth, bassist Frank Rittel, and drummer Tomas Franke. The group's debut album, Animal House, was in fact written by 's former bandmates in , and by the time of its 1988 follow-up Mean Machine, Szigeti, Rittel, and had all been dismissed, replaced by guitarist , bassist Thomas Smuszynski, and drummer Stefan Schwarzmann. himself was out of U.D.O. for 1990's Faceless World, replaced by guitarist Wolla B�hm; the same roster who recorded 1991's Time Bomb, although the band split in the wake of a subsequent tour, with rejoining from 1992 to 1996. He re-formed U.D.O. with Dieth, Schwarzmann, guitarist Stefan Kaufmann, and bassist Michael Voss to contribute a track to the tribute album Legends of Metal; only Schwarzmann and Kaufmann remained on board for 1997's full-length Solid, which featured new guitarist J�rgen Graf-Biardi and bassist Fitty Wienhold. No Limits followed a year later, and in 1999 U.D.O. resurfaced with the punishing Holy, which saw the group delivering their most visceral LP in years. 2002's Man and Machine featured the hit "Dancing with an Angel," a duet with vocalist Doro Pesch, and was followed by a string of hard-hitting studio albums: Thunderball (2004), Mission No. X (2005), Mastercutor (2007), Dominator (2009), and Rev-Raptor (2011). The following year saw the departure of guitarist Stefan Kaufmann, who had to leave the fold for health reasons. He was replaced by Andrey Smirnov, who made his first studio appearance with the group on 2013's Steelhammer. Decadent, the band's 15th long-player, arrived in a timely fashion in early 2015. Later that year, announced that he would be embarking on a massive tour comprising only songs, with the intention of retiring the material. A double-live LP, Back to the Roots: Accepted, chronicled the tour in 2017. U.D.O. returned with their 16th studio long-player Steelfactory in 2018. Two years later they released the follow-up We Are One, an orchestral album written and recorded in collaboration with the Concert Band of the German Armed Forces, followed in 2021 by Game Over.

"The hardest thing to do," says internationally beloved soul-blues rocker Tommy Castro, "is be yourself, take some chances and bring your fans along with you." Throughout his long, constantly evolving career, guitarist, singer and songwriter Tommy Castro has always remained true to himself while exploring, growing and creating new music, and he has taken his thousands of devoted fans right along with him. Since his solo debut in 1994, he's made 16 albums--the last seven for Alligator--each its own unique chapter in the book of Tommy Castro. Ranging from horn-fueled R&B to piping hot blues to fiery, stripped-down rock 'n' roll, each release is solidly built upon Castro's unshakable musical foundation--a dynamic mix of 1960s-influenced guitar-fueled blues, testifying Memphis-soaked blue-eyed soul and Latin-tinged East San Jose funk, all driven by Castro's grab-you-by-the-collar vocals and passionate guitar work. Blues Revue declared, "Tommy Castro can do no wrong."

For Castro's new album, a roots music odyssey entitled Tommy Castro Presents A Bluesman Came To Town, he tells a timeless story. This special project was composed by Castro along with Grammy Award-winning producer Tom Hambridge. Through its 13 songs, A Bluesman Came To Town tells the tale of a young man working on his family farm who gets bitten by the blues bug. He masters the guitar and heads out on the road seeking fame and fortune, only to find what he's left behind is the treasure he's been looking for. Each memorable song--from the blistering title track to the pleading Child Don't Go to the hopeful I Caught A Break to the emotional Blues Prisoner--stands on its own, as well as contributing to the larger story.

"I like to keep things fresh and interesting," says Castro, "Tom and I have talked about making a record together for a long time. Collaborating with him was even better than I imagined. I had an outline for the story and then Tom and I talked it out and the songs just started to organically grow out of each other." Castro continues, "A Bluesman Came To Town isn't a story about me. It's pulled from some of my friends' and my experiences though. I've seen first-hand for a lot of years what it's like out there on the road."

The road has always been Castro's home away from home. He'll instantly ignite a crowd, turn them into loyal fans and then keep those fans coming back for more. He has traveled hundreds of thousands of miles and performed thousands of gigs, leading his bands at clubs, concert halls, and festivals all over the world. Famed guitarist Joe Bonamassa says, "Tommy has always been top of the heap among blues guitar players. He always puts on a great show."

Born in San Jose, California in 1955, Tommy Castro first picked up a guitar at age 10. He fell under the spell of Elvin Bishop, Taj Mahal, Mike Bloomfield and other blues artists of the day. Almost every major rock and soul act, from Ike and Tina Turner to Janis Joplin to the J. Geils Band to Tower Of Power, toured through the area, and Castro was at every show. He saw John Lee Hooker, Albert King, and Buddy Guy and Junior Wells at the same local blues bar, JJ's, where he often jammed, dreaming of one day busting out. Mixing the blues and rock and roll he loved and the soul music he heard blasting from lowriders in his neighborhood Tommy started to create his own personal sound and style. He honed his guitar skills and intense, gritty vocals, learning how to capture an audience as he performed on San Francisco's highly competitive club scene. As his reputation spread, Tommy played in a variety of Bay Area bands, soon making a name for himself as a hotter-than-hot live artist bursting at the seams with talent. In 1985, he was recruited to become lead singer and guitarist for the regionally popular blues band NiteCry, gigging regularly throughout Northern California. Castro joined Warner Brothers' artists The Dynatones in the late 1980s, performing all over the country. He formed the first Tommy Castro Band in 1992 and has not stopped touring since. In 1995, soon after releasing his first album on Blind Pig Records, The Tommy Castro Band was selected as the house band for three seasons on NBC Television's Comedy Showcase (airing right after Saturday Night Live). The show brought him in front of millions of viewers every week and cemented his reputation as a not-to-be-missed, nationally touring live performer.

After a series of successful releases on the Blind Pig, Telarc and 33rd Street labels, Tommy Castro joined Alligator Records in 2009. His label debut, Hard Believer, was released to massive popular and critical acclaim. With the album, Castro won four of his six career Blues Music Awards, including the coveted B.B. King Entertainer Of The Year Award (the very highest award a blues performer can receive). In 2012, Castro stripped his music down to its raw essence, creating a high-energy, larger-than-life sound with the formation of The Painkillers. Tommy Castro & The Painkillers' initial release, The Devil You Know,was embraced by his legion of fans and discovered by hordes of new ones. With the current version of The Painkillers (bassist Randy McDonald, drummer Bowen Brown and keyboardist Michael Emerson), Castro released Method To My Madness in 2015, Stompin' Ground in 2017, and the irresistible Killin' It--Live in 2019, with critics shouting praise and admirers cheering the group's every move. The band has coalesced into one of the telepathically tightest units Castro has ever assembled, making them one of the mostin-demand live roots music acts performing today, delivering soul-shaking, muscular music.

Castro's relentless road-dog approach--gig after gig, night after night--has won him loyal, lifelong fans everywhere he plays. The Washington Post says Castro is "phenomenal and funky" with "soulful vocals and inspired blues guitar." The San Francisco Chronicle describes Castro's music as, "funky Southern soul, big city blues and classic rock...silvery guitar licks that simultaneously sound familiar and fresh." No Depression says "Castro plays gritty, string-bending blues like a runaway train...a glorious blend that rocks the soul and lifts the spirits."

Upon release of A Bluesman Came To Town, Castro will hit the road with The Painkillers, performing fan favorites as well as songs from the new album. "I've made seven albums for Alligator," Castro says, "and I've never made the same record twice. I will always try to be my most authentic self. I give it all I've got every time we hit the stage!

Since first forming The Nick Moss Band Featuring Dennis Gruenling in 2016, master blues guitarist Nick Moss and world class harmonica virtuoso Dennis Gruenling have become torchbearers for traditional electric blues. But rather than repeating what's come before, the band's high-energy take on old school Chicago, Texas and West Coast sounds is completely their own. With their new Alligator Records album (their third for the label), Get Your Back Into It!, Chicago native Moss and New Jersey native Gruenling - together with Rodrigo Mantovani on bass, Taylor Streiff on keyboards and Pierce Downer on drums - deliver a deeply rooted, timeless blue collar blues album.

AllMusic says the band, winners of the 2020 Blues Music Award for Blues Band Of The Year, "makes the case for the vitality of old-fashioned Chicago electric blues in the 21st century." They are among the world's very best old school blues ensembles, with each musician expertly playing off the others. "We are a rare breed as far as how authentic we like to keep the music," says Moss. The guitarist proudly represents the city of Chicago as one of the few bluesmen working today to have learned his craft firsthand, directly from many of the genre's original creators.

Get Your Back Into It! was produced by Moss and Mantovani and contains fourteen original songs: twelve by Moss and two by Gruenling. Guests include saxophonist "Sax" Gordon Beadle and, on Out Of The Woods, organist "Brother" John Kattke. The album is inspired by the electrifying blues sounds of 1940s through 1960s, and is performed with taste, restraint, sly humor and pure joy. The stylistically distinct songs - including three wild instrumentals that simply dare you to stay seated - are all connected by Moss' and Gruenling's shared musical vision. "We like to push ourselves out of our comfort zone," Moss says of the songs and performances on the new album, "and I feel like we accomplished that."

From the life lessons espoused in The Bait In The Snare, Losing Ground and Choose Wisely to the hard blues of Aurelie and Living In Heartache to the lighthearted ode to the band's Brazilian bass player, It Shocks Me Out, Moss makes clear, in addition to his unparalleled guitar work and soulful singing voice, he is also an award-winning songwriter with the rare Willie Dixon-like ability to write and sing the blues' honest truth.

Authenticity has never been a problem for Moss, who first made a name for himself playing bass for bluesman Jimmy "Fast Fingers" Dawkins. Dawkins encouraged Nick to unleash his fire and passion. From there, Moss was chosen by Willie "Big Eyes" Smith to join his Legendary Blues Band, but Smith insisted Moss switch to guitar. Blues icon Jimmy Rogers (whose best known songs included Walking By Myself and Ludella) hired Moss as his touring guitarist, mentoring him on the blues lifestyle along the way. Today, Moss' blistering fretwork, impassioned, soul-charged vocals and memorable original songs place him in a league of his own.

Growing up in Chicago and standing tall at 6'2", the teenage Moss dreamed of playing both music and sports. His mother was a huge blues fan, even taking a young Nick to see Muddy Waters live in concert. At 18, sudden, emergency kidney surgery sidelined his athletic hopes and left the youngster feeling blue. To lift his spirits, Nick's brother snuck him out of the hospital to see Alligator artists Little Charlie & The Nightcats perform. Nick was blown away by the show and by meeting the band, and it was then and there that he decided on a career as a bluesman. After his years working with and learning from true blues royalty, Nick formed his first band in 1997 and released his debut album a year later on his own independent Blue Bella label. Since then, he's earned legions of fans, playing over 100 shows a year. Moss has shared stages with Buddy Guy, Kenny Wayne Shepherd, Gary Clark, Jr., David Hidalgo and many others, and is an in-demand guest, always welcome to sit in with his musician friends around the world. He and the band have crisscrossed the United States and Canada multiple times, and have performed in the UK, Norway, Belgium, France, Spain, Latvia, Poland and other European countries.

Dennis Gruenling, Moss' friend of over 20 years, is considered among today's most innovative and creative blues harmonica players. His high-energy, full-throttle reed work has earned him comparisons to many of the greats including the late James Cotton. As a teen he heard the Alligator recording Harp Attack! (a summit meeting of Cotton, Junior Wells, Carey Bell and Billy Branch) and decided that blues harmonica was his life's calling. In addition to Cotton, Gruenling was inspired by blues harp masters Little Walter and George "Harmonica" Smith as well as by saxophonists, including Lester Young and Red Prysock. A self-taught player and a natural entertainer with seven solo albums and numerous guest appearances to his credit, Gruenling's giant, fat-toned harp work, raw-boned singing and untamed energy are a perfect foil for Moss' inspired guitar playing and straight-from-the-shoulder blues vocals. Vintage Guitar says, "Gruenling's harp, along with the Midwestern intensity of Moss' blues guitar, is pure ecstasy."

With the release of their Alligator Records debut, The High Cost Of Low Living, in 2018, The Nick Moss Band Featuring Dennis Gruenling announced their arrival, as fans and critics were amazed by the band's dynamic sound. 2019's Lucky Guy! took them even higher, as the album hit blues radio by storm, finishing Top 10 on the Living Blues Radio Chart's Top 50 Albums of 2019. Internationally, the album peaked on blues charts at #1 in Australia, #3 in France and #7 in the UK. Songs from Lucky Guy! were also prominently featured on BBC2 in Britain and CBC in Canada. The title track became one of the most played songs on SiriusXM's Bluesville. Additionally, Woodsongs Old-Time Radio Hour invited the band to perform live on its nationally syndicated public radio broadcast.

Moss, Gruenling and the band have received a total of five Blues Music Awards, with wins in 2020 for Band Of The Year, Song Of The Year (Lucky Guy) and Traditional Blues Album Of The Year (Lucky Guy!), and in 2019 for Traditional Blues Male Artist (Moss) and Instrumentalist--Harmonica (Gruenling). Blues Music Magazine says, "Nick Moss is a major force in contemporary blues. Dennis Gruenling plays soaring harp...infectious and finger-snappin'."

Now, with Get Your Back Into It! and upcoming North American and European tours in the works, The Nick Moss Band Featuring Dennis Gruenling will bring their brash and exciting blues to old fans and new. Performing at clubs, concert halls and on festival stages across the country and around the world, the band ignites an irresistible, musical firestorm onstage. "When we get together, the music takes over," says Moss. "We can't hold back, and the energy just comes pouring out. We get carried away and the audience gets carried away with us."

Following the release of Everything Harmony, which garnered acclaim from Questlove, Iggy Pop, Anthony Fantano, The Guardian, and countless others, The Lemon Twigs--the New York City rock band fronted by brothers Brian and Michael D'Addario--have once again captured the attention of the music listening public. They are in their premature "comeback" stage, and coming back this early has its benefits; the brothers have the energy of 24- and 26- year-olds, plus the experience and songwriting chops of seasoned musicians, having recorded their first album, Do Hollywood, nearly a decade ago at ages 15 and 17.

Set for release less than a year after their last album, A Dream Is All We Know is a joyous affair. As the title suggests, it's less of a sober look at the darker side of life, and more a hopeful sojourn into the realm of dreams. The tone has shifted away from dreary melancholic ballads and moody power pop. Brian and Michael are revisiting their "1968" sound. This album feels closely related to Do Hollywood, but their songwriting and recording techniques have vastly improved over the course of five albums.

The brothers combine elements of the Merseybeat sound, the California Beach Boy harmony sound, and Bubblegum to create a unique collection of pop nuggets. (They say it's part of a new "Merseybeach" movement, sure to catch on, though that fact remains to be seen.)

The sense of urgency imbued in lead single "My Golden Years" comes in part from the jangly 12-string guitars and driving drums, but also from the anxiety of a narrator who can feel their "golden years" slipping away from them. Michael's line, "In time I hope that I can show all the world the love in my mind," can serve as a statement of intent for the whole collection of songs, as the brothers race against time to create as much quality pop material as possible.

"They Don't Know How To Fall In Place" propels the album forward into bubblegum paradise with its euphoric harmonies and biting clavinet, while the Roy Wood inspired "Church Bells" takes you on a journey in its two-minute and nine-second run time. At every turn you're introduced to a new instrument, and as Michael sings "ring goes the bell," the drummer switches to the bell of the ride cymbal and the song reveals itself as a pop tone poem, complete with cellos, mandolin and trumpets, all played by Brian. Not to mention the fun Mersey pun, using famous drummer Ringo's name in a song that conflates images of the west side of Manhattan with the atmosphere of northern England. Next comes the titular "A Dream Is All I Know," an existential space age epic, followed by the baroque pocket-prog of "Sweet Vibration."

Equipped with the songwriting chops of a lost era (somewhere between The Brill Building and 10452 Bellagio Road) the new record was carefully arranged and produced entirely analog in the brothers' Brooklyn recording studio. Most of the tracks were constructed with the two brothers swapping instruments and layering all the parts themselves. One of the exceptions to that rule was "In The Eyes Of The Girl," co-produced by Sean Ono Lennon in his upstate New York studio, which had the brothers tracking drums and piano while Lennon handled bass duties. On top of that, the brothers add multilayered harmonies that bring to mind The Beach Boys, The Four Freshman, and The Free Design.

Side two's opener "If You And I Are Not Wise," has the brothers channeling the Everlys' close harmonies while seeking spiritual illumination with the line, "I wish that someone could tell me what my soul knows that I don't know." Brother Brian says, "There's definitely an escapist bend to this album. Joyous music can take you out of the world when things get too heavy, which everyone needs sometimes. "

"How Can I Love Her More?" is a whirlwind of musical flights of fancy. Blaring horns and strings set the stage before the song settles into a rollicking shuffle, complete with two drum sets, an adventurous bass part, theremin, flutes and harpsichord. It's a kitchen sink approach, full of left turns, but never bordering on cacophony. It segues directly into the peaceful, sparser "Ember Days," propelled by a meditative nylon string pattern that's part bossa nova, part Nick Drake. The peace doesn't last long though, as "Peppermint Roses" erupts with a menacing Farfisa into a two-part nightmare comedy that doesn't let up. The album unwinds with the dreamy "I Should've Known Right From The Start." It's like a forgotten piece of French Pop that just happens to be sung in English, complete with arpeggiated acoustic guitar, melodic bass and catchy drum hooks.

While the album is chock full of progressive pop ideas, it closes with an ode to early rock and roll on"Rock On (Over and Over)." "Rock On" contextualizes the band as part of a lineage of rock and roll that's never really stopped. In every decade there have been bands that have put their own spin on the music and "push(ed) it on down to the line." But none have done it with the attention to detail and raw talent of these brothers. For The Lemon Twigs, it took almost a decade for critics and audiences alike to present them with the major accolades they've earned this past year. While their initial records were appreciated for the musical proficiency they displayed, the brothers' past few records have communicated their ideas with more clarity and emotional resonance. In other words, "It took too long to say 'rock on.'"

Pullstring is the modern everyday man rock band putting to words what it's like to be a young adult. Hailing from the Twin Cities of Minnesota, they arrived on the music scene as venues began to open up following the lockdowns of the COVID19 pandemic. Their brand of MN Power Pop is influenced by many artists throughout the decades and brings what fans call "nostalgic vibes" to listeners. Pullstring's palette of sounds ranges from bittersweet melancholy to upbeat anthems.

In the past couple years as a band, Pullstring has gone on tours and played to packed venues around the Midwest including 7th St Entry, Turf Club, and the Maintenance Shop. Pullstring has already been on festival lineups such as Eau Claire Fall Fest, KURE Fest, and Northwoods Rock Rally. Pullstring has opened for large touring acts such as ALEXSUCKS, George Clanton, The Melismatics, and We Are Scientists.

What will Pullstring do next?

It's been a bit more than 40 years since pioneering Celtic-punk-folk band Boiled In Lead's first show at the Upper Deck in 1983. With their star still on the wall, BiL return to the stage and studio with new material and radical rearrangements of old favorites.

Boiled In Lead is the longest-running Celtic punk band in America, and an important part of the foundation of what became Minnesota punk rock. Bob Mould was among those who praised the band's first self-released LP ("Even the fiddles rock,") and the Hüskers invited the band to play an early show at Goofy's Upper Deck. Today, the band's star is still on the wall at First Avenue.

While in high school, bass player and founder Drew Miller became obsessed with traditional folk. He started the band in 1983 to turn the volume up and bring those tunes and songs to new audiences. Following their first LP, he met guitarist / vocalist Todd Menton at an Irish session. With distribution from Twin\Tone, the band was soon playing the First Avenue Mainroom, the Winnipeg Folk Festival; that led to a UK record deal and tours in Europe and around the country. The group and the individual musicians have won many Minnesota Music Awards, and toured throughout the US and in Europe.

Over the years, the band's sound has changed with its membership. Violinist David Stenshoel, who passed away in 2021, pushed the band to expand beyond Ireland to tackle many world folk music traditions. Menton says: "...when we play... the very coolest thing is the tune itself. The original tradition is the power."

Re-visioned for the band's 40th Anniversary, core members Todd Menton and Drew Miller add drummer Mo Engel and violinist Haley Olson to the lineup, moving forward with a wealthy of new material, as well as looking backward to reframe old tunes.

Enthusiastic, powerful, technically brilliant, playing a wealth of instruments with extreme dynamics, Boiled In Lead routinely demolishes genres with its highly-identifiable sound. An Onion A&E quote describes the band's approach well: "...the prime purveyor of a style of Celtic music infused with punk-rock attitude, developing over the years with a hard-driving swirl that combined Irish folk with heavy rock and elements of styles from all over the world. ...one of the best bands Minnesota's ever produced. ...even without amplification, Boiled In Lead can summon up furious punk-folk energy."

Todd Menton (vocals, guitar, mandolin, bodhran, whistle) joined BiL soon after their 1st LP, and was the lead singer on the classic albums From the Ladle to the Grave and Orb. After a hiatus, he rejoined the band in 2005. He's currently an instructor at the Center For Irish Music in St. Paul.

Drew Miller (bass guitar) founded the band in 1983. He anchors the low end with a hint of distortion, and sometimes plays solid-body dulcimer. Recently he formed Kinda Fonda Wanda, a high-energy roots-rockabilly outfit inspired by Wanda Jackson. He has been profiled in Bass Player Magazine. and runs a record store in White Bear Lake Minnesota.

Mo Engel (drum kit) is a versatile Twin Cities music vet. He and Drew found their groove together in Kinda Fonda Wanda. Also a member of Retrofizz, Kings of Cole, and Saddle Sores, Mo keeps the beat going and chimes in on harmonies.

Haley Olson's (violin, vocals) love of traditional music has led her to learn an ever-increasing range of musical styles. She has performed on Lake Superior, in the Smokey Mountains, and other places nationally and internationally.

West Nile Crows is a Milwaukee-based, 4-piece rock band w/ roots in a wide range of genres, including 60s & 70s psychedelic rock, 80s dream pop, and early 2000s indie pop/rock & shoegaze. West Nile Crows are: Hans Jaeger as lead vocalist and on lead guitar, Ryan Sablay on rhythm guitar and synth, Tyler Zachow on bass guitar, and Garrett Holm behind the drum kit.

Working outside the confines of the traditional music industry, Adam Ezra and his bandmates -- Corinna Smith (fiddle), Alex Martin (drums), Poche Ponce (bass) - built a community of fans through sheer grit and determination, regularly performing hundreds of shows a year for the past two decades without any major label or mainstream radio support. Fusing folk intimacy and rock energy with soul power and pop charm, the band first emerged from Boston in the early 2000s and quickly garnered widespread acclaim for their bold, insightful songwriting and interactive, euphoric performances. From hole in the wall bars and house concerts to sold-out headline shows and dates with the likes of Little Big Town, The Wallflowers, Gavin DeGraw, Train, and The Wailers, Ezra and his bandmates treated every single gig like their last, attracting a die-hard following that believed not just in the music, but in their commitment to activism and social change, as well.

After their tour was cancelled at the beginning of the COVID-19 pandemic, Ezra brought the show online to continue this commitment and created The Gathering Series which to-date has reached a cumulative audience of 15 million viewers. The bands ongoing daily livestreams since March of 2020 stands as a testament not only to Ezra's artistic endurance, but also his ability to connect with viewers and provide an accepting and supportive space for newcomers to join his tight-knit community of fans. Through his own experience with COVID, his move across the country, and even his wedding day, Ezra has broadcasted without fail from wherever he found himself each night at 7pm Eastern. In addition to bringing The Gathering Series to the real world as they performed nearly 50 safe, socially distanced shows in parks and backyards around the United States to bring light to fans through music, the band didn't stop there. Their homegrown festival, The Ramble, hosted by RallySound, raises money and marshals resources to help homeless veterans find safe and dignified housing for the last ten years. While the band was unable to bring the festival to fans live in the year of COVID, they instead incorporated it into The Gathering Series and hosted a 24-hour, nonstop livestream where they raised enough money to help house 64 veterans.

The Adam Ezra Group hit their 500th Live stream show on July 25th, 2021. They have also played an additional 50 backyard socially distanced shows, and are starting to tour heavily again in traditional and outdoor venues. As if this wasn't enough to keep them busy, the band also embarked on an ambitious new recording series dubbed 'The Album Project' which will see the band releasing at least 19 new singles over the next few years. What comes next for the Adam Ezra Group? The future is anyone's guess right now, and the only thing the Adam Ezra Group knows for sure, is they'll be out there making music however and whenever they can.

Back in 1995, Milwaukee-based drummer John Carr heard a great CD playing at a bar, and asked the bartender what it was. Behold, it was the recently released Chess New Orleans anthology. At that precise moment, The Hungry Williams was born; and now they bring to the world their new CD, Let's Go!, releasing September 9th on Rochelle Records. Distribution for the new album will be through AMPED (ampeddistribution.com).

John Carr bought a copy of the New Orleans anthology that week, thus beginning a fascination with '50s R&B music. Carr knew lots of New Orleans music, such as Lee Dorsey, Huey "Piano" Smith, Allen Toussaint, and the Meters. But this was a whole different vibe. It SWINGS, hard. There's a Caribbean flavor, too, that was nothing like he'd heard before. THAT is the sound Carr has chased ever since. In fact, The Hungry Williams just might be the best New Orleans-sounding band NOT from the Crescent City that you've ever heard!

By 2015, Carr had played with everyone and anyone in town, earning the reputation as "Milwaukee's Ringo." But the itch for a hard swinging, horn driven band with that Latin flair had never subsided. He had a name picked out, in honor of one of the best New Orleans drummers ever, Charles "Hungry" Williams. But most importantly, Carr knew who to create a band with.

First up were vocalist Kelli Gonzalez and bassist Mike Sieger. Carr and Sieger have been playing together in various incarnations since 1991. No rhythm section is tighter and livelier than these two. "Mike and I play joined at the hip," enthuses Carr. "We each have our own flavor of keeping the beat, and the simpatico between us means we come up with something relaxed and happy." Sieger recruited Carr into a zydeco outfit featuring Kelli Gonzalez as lead vocalist. There, Carr found in Gonzalez someone who knew '50s R&B even better than he does.

Next came Carr's good friend and guitarist/vocalist Joe Vent. They'd come up together in the '80s, playing the New Wave guitar-based pop of the day. In the '90s, Vent led his own band and ran Don't Records, at the time the home of local heroes Paul Cebar and Willy Porter. By 2015, Vent was ready for a change of pace.

So was keyboardist Jack Stewart, former bandmate of Carr's in local jump bluesers, The Uptown Savages. Stewart started in the '60s playing in blues-based jam bands, then in the '70s he started Milwaukee's first punk rock band, Death. The Uptown Savages played for nearly 20 years, and when that was done, Stewart happily agreed to join Carr's new project.

The core was in place: a group of like-minded musicians ready to bring the swing to the masses that don't know what they'd been missing. They played a couple hundred shows and recorded an album. Things were looking good until ... COVID.

Plans to promote their 2019 debut, Brand New Thing, were derailed. A Christmas EP, Mambo Santa Mambo, was in the can, and was released mid-pandemic. But, what to do in the meantime? Figure out how to practice online (which they did, eventually), and maybe write some originals. Carr, Vent, and Gonzalez started sharing their ideas electronically, and lo and behold, four new tunes emerged; plus a lot of great new covers worked out together, in cyberspace. Carr decided a new album is in order.

One day, Carr heard a song by the California Honeydrops that gave him chills, because it was the sound he'd always had in his head: a relaxed, authentic performance, the sound of instruments together in a room, along with the warmth that vinyl collectors love. Thanks to the internet, within 24 hours Carr was in touch with Jacob LaCally, the engineer behind that sound. A plan was hatched: LaCally would come to Milwaukee in September, 2021, to spend three days recording an album, all together, in one room, without headphones. Carr nearly wept with gratitude. This could be the album he always knew he could make, but didn't know how.

For the Let's Go! Recording sessions, Carr brought in their favorite saxes: Jason Goldsmith on tenor, and Casimir Riley on baritone. Fun fact: Carr is the second in a three generation line of Milwaukee drummers. Goldsmith came from Carr's dad's 18 piece jazz orchestra; Riley from Carr's son's band. Like they say, it takes a village.

The recording process was a joy, Joe Vent says. "Once we got the room and the vibe locked-in, we were nailing takes. It was the best recording situation: no thinking, just playing. The lines between instruments were incidental; we played these songs as a band, not individuals. That's always been our goal."

LaCally's influence was key. Jack Stewart says, "It was great recording as a band and allowing the room sound to be present and not isolated. Along with being a great engineer, Jacob LaCally has a true understanding of the music we play. His input and suggestions on the music itself, not just the recording process, were on the money and enhanced the overall product."

Sunny Sweeney, a genre-bending, songwriting spitfire who has spent equal time in the rich musical traditions of Texas and Tennessee, returns with Married Alone, the celebrated singer-songwriter's fifth studio album and the follow-up to 2017's critically acclaimed Trophy. Co-produced by beloved Texas musician and larger-than-life personality Paul Cauthen and the Texas Gentlemen's multi-hyphenate Beau Bedford, Married Alone is Sweeney's finest work yet, bringing together confessional songwriting, image-rich narratives and no shortage of sonic surprises for a loosely conceptual album about loss and healing.

Married Alone began as most of Sweeney's projects do: with a visit to her deep vault of unreleased songs. Since debuting with Heartbreaker's Hall of Fame in 2006, Sweeney has been a prolific writer, writing whatever is on her heart rather than with a particular project in mind. That habit afforded her a rich well of material for Married Alone, some of which is over a decade old.

"I have a lot of older songs that still make the cut of like, 'Am I gonna put this on a record?' And I always start with those songs, songs that have been important to me for whatever reason. And then I try to build around that. It doesn't necessarily have to be around a theme, but sometimes it turns out to be that there is one."

Opener "Tie Me Up" declares that, despite its loose theme, Married Alone is not a somber record, with Sweeney in full spitfire mode and cheekily declaring to a would-be suitor, "You can tie me up, but baby you can't tie me down." Cauthen's and Bedford's production especially shines on the track, which would sound at home at a roadside juke joint or in front of thousands of fans at a festival.

Cauthen joins Sweeney on "A Song Can't Fix Everything," one of the album's rawer moments. "That song can't bring my mother back to life," Sweeney sings at the song's start, before recounting the many ways that music may be able to transport us to the past but can never fix it. "Want You to Miss Me" is an honest take on the complexities of a difficult breakup, with Sweeney's nimble vocal wavering between defiance and doubt. "Easy as Hello" is Sweeney's writing at its finest, channeling the heartache that comes with the end of a treasured relationship, for a track that recalls -- vocally and lyrically -- the work of Stevie Nicks.

"Someday You'll Call My Name" reads as a break-up kiss-off -- and it's a great one, at that -- but the song, pulled from Sweeney's vault, was originally inspired by her early days as a musician, longing to be recognized by major country institutions like the Grand Ole Opry. She and co-writer Brennen Leigh reworked their 10-year-old version of the track to better fit Married Alone, and that session helped set the tone for what would become the full album.

The full potential of the album really revealed itself, though, when a friend sent Sweeney a demo of what would become its title track, "Married Alone." Though she wasn't a co-writer on the track, Sweeney felt her own story reflected in its lyrics. The song, which features a particularly emotional guest vocal from living country legend Vince Gill, charts the painful moments sometimes experienced in marriages that have run their course.

"There may be rings on our fingers, but we're married alone," she and Gill sing, over weeping pedal steel and reverbed guitar.

"My jaw hit the floor when I heard that song, because I had just gone through my second divorce, which is also cliche of a country singer," Sweeney says, with a laugh. "I was still pretty raw about my divorce, but also very candid and trying to find levity in the situation. You have to be able to laugh at yourself at some point and not let it just totally get you down."

A few months after securing the song and mining her own vault for a track list, Sweeney traveled to Dallas, TX, to record -- alongside Cauthen and Bedford -- what would become Married Alone.

Sweeney and team planned for Jeff Saenz to mix the album, but in the summer of 2021 -- a few days before mixing would start -- the widely loved, Dallas-based producer was electrocuted in a freak accident that left him without use of his arms. The group put the album on hold until they had word Saenz would pull through. While Sweeney was anxious to get her new music out, Saenz's accident shifted her priorities.

"Jeff lost his arms," she says. "His arms. Jeff's never going to hold his fianc�e's hand again, never going to hold his baby again. I had a major, major turning point with his accident, personally, as did most of our friends that know him."

About eight months later, Bedford had a surprise for Sweeney. When she arrived at the studio for one of their final mixing sessions, Bedford had brought Saenz along. Saenz was able to help the group finish up the album, a full-circle moment that was especially emotional for Sweeney.

"It was exactly how it should have been," she says. "And it was really, really emotional. Jeff definitely is a part of this album; I really wanted him to be a part of the album. And Beau knew that. So, Beau went and he made that happen."

In addition to releasing Married Alone, Sweeney is marking a new chapter in her professional life with a brand-new team by her side, most of whom are women. While it wasn't a conscious choice, Sweeney says, she feels like she's surrounded by the right group of people, who just happen to be "badass women."

Like the narrator of "Someday You'll Call My Name," Sweeney is not the kind of artist you come across then forget. With Married Alone, she further cements her status as one of country music's finest storytellers.

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